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Rob Del Ciancio
Visual Effects, Special Effects, Animation Department
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Credits | |
| 82 titles |
| Films in Production (1 title) | Budget | Status |
|---|---|---|
|
CAD 30K
|
Completed
|
| Past Film & Video (53 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
$35MM
|
$2.2MM
|
||
|
||||
|
$18MM
|
$12MM
|
$44MM
|
$48MM
|
|
$8.8MM
|
$223K
|
||
|
$32MM
|
$16MM
|
$49MM
|
$95MM
|
|
$35MM
|
$16MM
|
$46MM
|
$67MM
|
|
||||
|
$1.4MM
|
$5.7MM
|
$8.1MM
|
|
|
$20MM
|
$3.8MM
|
$9.5MM
|
$10MM
|
|
$22MM
|
$18MM
|
$65MM
|
$205MM
|
|
||||
|
$45MM
|
$25MM
|
$75MM
|
$173MM
|
|
$20MM
|
$4.8MM
|
$13MM
|
$26MM
|
|
$55MM
|
$13MM
|
$31MM
|
$75MM
|
|
$22MM
|
$11MM
|
$54MM
|
$90MM
|
|
$100MM
|
$10MM
|
$23MM
|
$118MM
|
|
CAD 1MM
|
|||
|
$65MM
|
$21MM
|
$42MM
|
$240MM
|
Resident Evil: Afterlife (2010)
Digital Compositor, Visual Effects Artist: Topix, Visual Effects Supervisor: Topix |
$60MM
|
$27MM
|
$60MM
|
$300MM
|
|
$17MM
|
$130K
|
$9.5MM
|
$16MM
|
|
$15MM
|
$2.6MM
|
$6.4MM
|
$8.8MM
|
|
$45MM
|
$3.7MM
|
$8.8MM
|
$32MM
|
|
$45MM
|
$24MM
|
$51MM
|
$148MM
|
|
$24MM
|
$1.4MM
|
||
|
$15MM
|
$64K
|
$4.6MM
|
$67MM
|
|
$11MM
|
$33MM
|
$42MM
|
|
|
$39MM
|
$5.4MM
|
$13MM
|
$27MM
|
|
$20MM
|
$7.8MM
|
$17MM
|
$22MM
|
|
$391K
|
$4.5MM
|
$4.8MM
|
|
|
$28MM
|
$6MM
|
$14MM
|
$17MM
|
|
$565K
|
$1MM
|
$3.3MM
|
|
|
$9.5MM
|
$21MM
|
$21MM
|
|
|
$50MM
|
$20MM
|
$47MM
|
$101MM
|
|
$52MM
|
$12MM
|
$37MM
|
$66MM
|
|
$46K
|
|||
|
$26MM
|
$3.7MM
|
$15MM
|
$15MM
|
|
$16MM
|
$3.7MM
|
$9MM
|
$10MM
|
|
$45MM
|
$21MM
|
$74MM
|
$92MM
|
|
$10MM
|
$5.3MM
|
$17MM
|
$20MM
|
|
$32MM
|
$364K
|
$32MM
|
$61MM
|
|
$25MM
|
$234K
|
$872K
|
$3.5MM
|
|
$6.8MM
|
$24MM
|
$28MM
|
|
|
$30MM
|
$7MM
|
$20MM
|
$35MM
|
|
CAD 1.2MM
|
|||
|
CAD 3MM
|
|||
|
$45MM
|
$23MM
|
$51MM
|
$129MM
|
|
$30MM
|
$6MM
|
$14MM
|
$21MM
|
|
$8K
|
$11MM
|
$21MM
|
|
|
$26MM
|
$27MM
|
$59MM
|
$102MM
|
|
$80K
|
$565K
|
$581K
|
|
|
$13MM
|
$5.2MM
|
$15MM
|
$29MM
|
|
||||
|
| Past Television (28 titles) | Episodes |
|---|---|
|
6
|
What We Do in the Shadows (2020–2022)
(TV Series) - Senior Compositor (1 episode, 2022), Digital Compositor (3 episodes, 2020) |
4
|
Halo (2022)
(TV Series) - Visual Effects Supervisor: Frame Distillery (3 episodes, 2022), Compositor: Frame Distillery (2 episodes, 2022), Compositor: Frame Distillery (2 episodes, 2022), Visual Effects Supervisor: Frame Distillery (2 episodes, 2022)
Transcendence (May
19,
2022)
Season 1,
Episode 9
-
Visual Effects Supervisor: Frame Distillery,
Compositor: Frame Distillery
|
5
|
|
2
|
|
5
|
|
2
|
|
2
|
|
2
|
Self Made: Inspired by the Life of Madam C.J. Walker (2020)
(TV Mini-series) - Digital Compositor (3 episodes, 2020) |
3
|
|
3
|
|
2
|
|
|
V-Wars (2019)
(TV Series) - Digital Compositor (uncredited) (2 episodes, 2019)
Because I Could Not Stop for Death (Dec
5,
2019)
Season 1,
Episode 3
-
Digital Compositor (uncredited)
|
2
|
|
4
|
|
2
|
|
1
|
Ransom (2017–2019)
(TV Series) - Digital Compositor (5 episodes, 2018), Lead Compositor (9 episodes, 2017) |
14
|
|
1
|
|
6
|
5
|
|
|
1
|
|
2
|
|
3
|
|
|
|
1
|
|
1
|
|
|
|
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