| Past Film & Video
(56 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
|
$200MM
|
$57MM
|
$190MM
|
$632MM
|
|
$120MM
|
$51MM
|
$140MM
|
$479MM
|
Alien: Romulus (2024)
Digital Artist: ILM,
Lead Artist: Compositing: ILM
Digital Artist: ILM,
Lead Artist: Compositing: ILM
See fewer
|
$80MM
|
$42MM
|
$105MM
|
$351MM
|
|
$200MM
|
$211MM
|
$637MM
|
$1.34B
|
|
$150MM
|
$31MM
|
$71MM
|
$164MM
|
|
$275MM
|
$177MM
|
$515MM
|
$1.08B
|
|
$162MM
|
$76MM
|
$217MM
|
$623MM
|
|
$275MM
|
$84MM
|
$214MM
|
$393MM
|
|
$317MM
|
$220MM
|
$620MM
|
$1.33B
|
Kong: Skull Island (2017)
Lead Artist: Compositing Sequence Supervisor: ILM
Lead Artist: Compositing Sequence Supervisor: ILM
See fewer
|
$185MM
|
$61MM
|
$168MM
|
$569MM
|
|
$135MM
|
$35MM
|
$82MM
|
$246MM
|
|
$245MM
|
$248MM
|
$937MM
|
$2.07B
|
Tomorrowland (2015)
Lead Artist: Compositing Sequence Supervisor: ILM
Lead Artist: Compositing Sequence Supervisor: ILM
See fewer
|
$190MM
|
$33MM
|
$93MM
|
$209MM
|
|
$250MM
|
$191MM
|
$459MM
|
$1.41B
|
|
$125MM
|
$66MM
|
$191MM
|
$485MM
|
|
$210MM
|
$100MM
|
$245MM
|
$1.11B
|
|
$125MM
|
$44MM
|
$101MM
|
$359MM
|
|
$215MM
|
$29MM
|
$89MM
|
$261MM
|
|
$190MM
|
$70MM
|
$229MM
|
$467MM
|
|
$102MM
|
$9.6MM
|
$27MM
|
$131MM
|
|
$163MM
|
$36MM
|
$100MM
|
$175MM
|
Avatar (2009)
Compositing Sequence Supervisor: ILM (as Greg Salter)
Compositing Sequence Supervisor: ILM (as Greg Salter)
See fewer
|
$237MM
|
$77MM
|
$785MM
|
$2.92B
|
|
$200MM
|
$43MM
|
$125MM
|
$371MM
|
|
$150MM
|
$75MM
|
$258MM
|
$386MM
|
|
$45MM
|
$3.5MM
|
$7.9MM
|
$9.3MM
|
Iron Man (2008)
Digital Artist: Compositing: ILM
Digital Artist: Compositing: ILM
See fewer
|
$140MM
|
$99MM
|
$319MM
|
$586MM
|
Rush Hour 3 (2007)
Digital Artist: ILM (as Greg Salter)
Digital Artist: ILM (as Greg Salter)
See fewer
|
$140MM
|
$50MM
|
$140MM
|
$258MM
|
|
$300MM
|
$115MM
|
$309MM
|
$962MM
|
|
$225MM
|
$136MM
|
$423MM
|
$1.07B
|
|
$180MM
|
$66MM
|
$292MM
|
$745MM
|
Rent (2005)
Digital Artist: Compositing: ILM (as Greg Salter)
Digital Artist: Compositing: ILM (as Greg Salter)
See fewer
|
$40MM
|
$10MM
|
$29MM
|
$32MM
|
|
$126MM
|
$12MM
|
$36MM
|
$163MM
|
|
$132MM
|
$65MM
|
$234MM
|
$604MM
|
|
$113MM
|
$108MM
|
$414MM
|
$906MM
|
|
$160MM
|
$52MM
|
$120MM
|
$300MM
|
|
$70MM
|
$16MM
|
$38MM
|
$58MM
|
|
$8MM
|
|
|
|
|
$150MM
|
$25MM
|
$94MM
|
$212MM
|
|
$140MM
|
$47MM
|
$305MM
|
$654MM
|
|
$12MM
|
|
|
|
|
$18MM
|
|
|
$1.3MM
|
Dot the I (2003)
On-set Supervisor: The Moving Picture Company (as Greg Salter)
On-set Supervisor: The Moving Picture Company (as Greg Salter)
See fewer
|
|
$10K
|
$307K
|
$307K
|
Stumped (2002)
(Short)
-
Compositing (as Greg Salter)
Compositing (as Greg Salter)
See fewer
|
£28K
|
|
|
|
|
$100MM
|
$88MM
|
$263MM
|
$883MM
|
|
$100MM
|
$2.2MM
|
$4.4MM
|
$7.1MM
|
|
$125MM
|
$90MM
|
$320MM
|
$1.03B
|
Dust (2001)
Digital Compositor: MPC
Digital Compositor: MPC
See fewer
|
$11MM
|
|
|
$109K
|
Crush (2001)
Sequence Supervisor / Compositor
Sequence Supervisor / Compositor
See fewer
|
$6MM
|
$46K
|
$1.1MM
|
$3.7MM
|
|
$10MM
|
$114K
|
$228K
|
$2.3MM
|
|
$115MM
|
$48MM
|
$131MM
|
$275MM
|
Snatch (2000)
Compositing Artist: The Moving Picture Company
Compositing Artist: The Moving Picture Company
See fewer
|
£6MM
|
$28K
|
$30MM
|
$84MM
|
|
$15MM
|
$90K
|
$3.1MM
|
$5.8MM
|
The Miracle Maker (1999)
2D Operator (as Salter Greg),
Digital Compositor
2D Operator (as Salter Greg),
Digital Compositor
See fewer
|
|
|
|
|
|
$135MM
|
$36MM
|
$127MM
|
$362MM
|
|
NOK 70MM
|
|
|
|
|
$95MM
|
$23MM
|
$94MM
|
$250MM
|