Born in 1945 in Liverpool, England, Terence Davies was the youngest of 10 children in a Catholic working-class family who suffered with an abusive father, bullies at school, the abuses of the Catholic Church and his own legendary ...See moreBorn in 1945 in Liverpool, England, Terence Davies was the youngest of 10 children in a Catholic working-class family who suffered with an abusive father, bullies at school, the abuses of the Catholic Church and his own legendary self-loathing for being gay. After a shut-down adolescence he spent years as an accountant. He got into acting and then writing and filmmaking. His first 3 short films made in the 1980's entitled Children, Madonna and Child, and Death and Transfiguration later became known as The Terence Davies Trilogy. They were semi-autobiographical glimpses into the harrowing life of torment experienced by Davies in post-WWII Liverpool. In his first feature film, 1988's Distant Voices, Still Lives, the family again lives in the shadow of a monstrously abusive father, this time played by the great British character actor Pete Postlethwaite, whom Davies says is the only actor to play a member of his family who actually looked like the person they were portraying. Andy talks to Terence Davies about the 1992 film The Long Day Closes, a beautiful film centering on the favorite time of Davies' childhood between the time his abusive father died and the family could relax a little, and the onset of his own highly fraught adolescence. They talk about several of his favorite cinematic techniques including his re-contextualizing of fragments of soundtracks from other movies, about the lost tradition of public singing in Britain, and of the chronic low self-esteem that haunts this great artist. Also about his new documentary/essay film about Liverpool entitled Of Time and the City, opening on Jan. 21 at Film Forum in NYC following a buzz-generating special screening at the Cannes film festival last year. Written by
Andy Moore
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