Only using 'real' or fictional found footage, the visual essay draws a portrait of a woman who, during the Salazar dictatorship, worked under pseudonyms in the Portuguese vaudeville theatre (teatro de revista) and in erotic horror films ...See moreOnly using 'real' or fictional found footage, the visual essay draws a portrait of a woman who, during the Salazar dictatorship, worked under pseudonyms in the Portuguese vaudeville theatre (teatro de revista) and in erotic horror films intended for export, until she married a famous football player and retired from artistic activity to devote herself to family life.
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