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Michael Solon
Visual Effects
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Credits | |
| 43 titles |
| Past Film & Video (37 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
$100MM
|
$45MM
|
$109MM
|
$189MM
|
|
$220MM
|
$46MM
|
$85MM
|
$206MM
|
|
||||
|
$250MM
|
$181MM
|
$454MM
|
$859MM
|
|
$200MM
|
$260MM
|
$814MM
|
$1.92B
|
|
$200MM
|
$71MM
|
$165MM
|
$402MM
|
|
$200MM
|
$75MM
|
$225MM
|
$432MM
|
|
$185MM
|
$26MM
|
$56MM
|
$169MM
|
|
$200MM
|
$80MM
|
$184MM
|
$380MM
|
|
||||
|
$45MM
|
$9.2MM
|
$13MM
|
$40MM
|
|
$125MM
|
$59MM
|
$320MM
|
$802MM
|
|
$3.5MM
|
|||
|
$14MM
|
$12MM
|
$39MM
|
$92MM
|
|
$183MM
|
$92MM
|
$356MM
|
$1.05B
|
|
||||
|
$75MM
|
$25MM
|
$99MM
|
$198MM
|
|
$275MM
|
$84MM
|
$214MM
|
$393MM
|
|
$62MM
|
$24MM
|
$58MM
|
$288MM
|
|
$177MM
|
$17MM
|
$41MM
|
$226MM
|
|
$150MM
|
$56MM
|
$147MM
|
$491MM
|
|
$200MM
|
$147MM
|
$390MM
|
$864MM
|
|
$65MM
|
$22MM
|
$76MM
|
$144MM
|
|
$140MM
|
$19MM
|
$55MM
|
$195MM
|
|
$160MM
|
$103MM
|
$282MM
|
$661MM
|
|
$61MM
|
$30MM
|
$82MM
|
$312MM
|
|
$120MM
|
$26MM
|
$56MM
|
$168MM
|
|
$190MM
|
$147MM
|
$353MM
|
$1.52B
|
|
$250MM
|
$55MM
|
$255MM
|
$962MM
|
|
$170MM
|
$73MM
|
$209MM
|
$711MM
|
|
$225MM
|
$74MM
|
$258MM
|
$959MM
|
|
$130MM
|
$158MM
|
$425MM
|
$865MM
|
|
$120MM
|
$53MM
|
$133MM
|
$415MM
|
|
$225MM
|
$117MM
|
$291MM
|
$670MM
|
|
$180MM
|
$85MM
|
$303MM
|
$1.02B
|
|
$130MM
|
$51MM
|
$126MM
|
$403MM
|
|
$135MM
|
$21MM
|
$64MM
|
$159MM
|
| Past Television (6 titles) | Episodes |
|---|---|
She-Hulk: Attorney at Law (2022)
(TV Series) - Digital Compositor (digital domain) (5 episodes, 2022)
Mean, Green, and Straight Poured into These Jeans (Sep
15,
2022)
Season 1,
Episode 5
-
Digital Compositor (digital domain)
|
5
|
|
1
|
|
2
|
|
1
|
|
1
|
Stranger Things (2019)
(TV Series) - Compositing Artist (Rodeo FX) (1 episode, 2019)
Chapter Eight: The Battle of Starcourt (Jul
4,
2019)
Season 3,
Episode 8
-
Compositing Artist (Rodeo FX)
|
1
|
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