Past Film & Video
(27 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
|
$18MM
|
$9MM
|
$20MM
|
$77MM
|
|
€7.7MM
|
|
|
$1.4MM
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
$1MM
|
A occhi aperti (2021)
(Short)
-
Visual Effects Supervisor (Why Worry Production)
Visual Effects Supervisor (Why Worry Production)
See fewer
|
|
|
|
|
Freaks Out (2021)
Compositor (EDI Effetti Digitali Italiani)
Compositor (EDI Effetti Digitali Italiani)
See fewer
|
€13MM
|
|
|
$3.3MM
|
Incendium (2021)
(Short)
-
Compositing Supervisor (Why Worry Production)
Compositing Supervisor (Why Worry Production)
See fewer
|
|
|
|
|
Fogo (2021)
(Short)
-
Visual Effects Supervisor (Why Worry Production)
Visual Effects Supervisor (Why Worry Production)
See fewer
|
|
|
|
|
|
€2MM
|
|
|
$430K
|
Assandira (2020)
Compositing Supervisor (Why Worry Production)
Compositing Supervisor (Why Worry Production)
See fewer
|
|
|
|
$53K
|
|
$159MM
|
|
|
$969K
|
Vetro (2018)
(Short)
-
Digital Compositor (Why Worry Production)
Digital Compositor (Why Worry Production)
See fewer
|
|
|
|
|
|
$20MM
|
$184K
|
$2.5MM
|
$7.9MM
|
Bad News (2017)
(Short)
-
Digital Compositor (Why Worry Production)
Digital Compositor (Why Worry Production)
See fewer
|
$7K
|
|
|
|
|
|
|
$3.2MM
|
$10MM
|
I.O.C. (2016)
(Short)
-
Special Effects,
Digital Compositor (Why Worry Production)
Special Effects,
Digital Compositor (Why Worry Production)
See fewer
|
|
|
|
|
|
$165MM
|
$41MM
|
$103MM
|
$390MM
|
|
$190MM
|
$33MM
|
$93MM
|
$209MM
|
|
$170MM
|
$73MM
|
$209MM
|
$711MM
|
|
$210MM
|
$100MM
|
$245MM
|
$1.1B
|
|
$225MM
|
$74MM
|
$258MM
|
$959MM
|
|
$130MM
|
$158MM
|
$425MM
|
$865MM
|
|
$120MM
|
$53MM
|
$133MM
|
$415MM
|
|
$130MM
|
$41MM
|
$123MM
|
$376MM
|
|
$68MM
|
$13MM
|
$35MM
|
$68MM
|
John Carter (2012)
Stereo Conversion Artist (Cinesite)
Stereo Conversion Artist (Cinesite)
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|
$250MM
|
$30MM
|
$73MM
|
$284MM
|