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Dean Covill
Sound Department
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Credits | |
| 183 titles |
| Films in Production (2 titles) | Budget | Status |
|---|---|---|
Dante's Inferno: The Ascension
(Short) - Re-recording Mixer, Sound Designer, Supervising Sound Editor |
Post-Prod
|
|
|
Post-Prod
|
| Television in Production (4 titles) | Episodes | Status |
|---|---|---|
|
4
|
Pre-Prod
|
|
1
|
Post-Prod
|
|
4
|
|
|
|
2
|
Completed
|
| Past Film & Video (96 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
£500K
|
|||
|
$50MM
|
$4.6MM
|
$9.3MM
|
$24MM
|
|
$113K
|
|||
|
||||
|
$6.5MM
|
|||
|
$67K
|
|||
|
$23K
|
|||
|
||||
|
$12MM
|
$25MM
|
$67MM
|
$147MM
|
|
$516K
|
$1.2MM
|
$4.5MM
|
|
|
$7K
|
$111K
|
$742K
|
|
|
£1MM
|
|||
|
||||
|
|
||||
|
||||
|
||||
|
||||
|
£6K
|
|||
|
||||
|
||||
|
£4K
|
|||
|
$49K
|
|||
Blood, Sweat and Terrors (2018)
Re-recording Mixer (segments: Express Delivery), Sound Designer (segments: Express Delivery) |
$250K
|
|||
|
£150K
|
|||
|
$321K
|
|||
|
$99K
|
|||
|
||||
|
£3K
|
|||
|
$120MM
|
$14MM
|
$34MM
|
$222MM
|
|
£100K
|
|||
|
£500K
|
$434K
|
||
|
£2K
|
|||
|
||||
|
||||
|
£200
|
|||
|
||||
|
£10K
|
|||
|
||||
|
||||
|
£5K
|
|||
|
||||
|
||||
|
$27K
|
|||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$1.5MM
|
$27K
|
$55K
|
$4.4MM
|
|
£25K
|
|||
|
£10K
|
|||
|
£17K
|
|||
|
$2MM
|
|||
|
||||
|
$416K
|
|||
|
|
||||
|
£1K
|
|||
|
|
||||
|
|
||||
|
$175MM
|
$9.9MM
|
$38MM
|
$152MM
|
|
||||
|
||||
Turn Your Bloody Phone Off: The Second Batch (2013)
(Short) - Re-recording Mixer (segments: Scalped), Sound Designer (segments: Scalped) |
||||
|
|
£800
|
|||
|
||||
|
||||
|
||||
|
|
||||
|
$130MM
|
$28MM
|
$61MM
|
$244MM
|
|
£5K
|
|||
|
|
£1K
|
|||
|
||||
|
||||
|
||||
|
||||
|
||||
|
£700
|
|||
|
£500
|
|||
|
£500
|
|||
|
||||
|
£2K
|
|||
|
£100K
|
|||
|
|
||||
|
£500
|
|||
|
£5K
|
|||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
|
||||
|
£2K
|
|||
|
|
||||
|
||||
|
£4K
|
|||
|
||||
|
| Past Television (80 titles) | Episodes |
|---|---|
|
1
|
|
2
|
|
2
|
|
2
|
|
17
|
|
|
|
6
|
|
26
|
|
2
|
|
13
|
|
5
|
|
1
|
|
1
|
|
1
|
|
6
|
|
2
|
|
2
|
|
2
|
|
1
|
|
1
|
|
|
|
|
10
|
|
16
|
|
2
|
|
2
|
|
26
|
|
2
|
|
1
|
|
3
|
3
|
|
|
3
|
|
5
|
|
|
|
1
|
It Lies Within (2021)
(TV Mini-series) - Sound Designer (3 episodes, 2021), Re-recording Mixer (3 episodes, 2021) |
3
|
|
6
|
|
|
|
|
|
6
|
|
|
|
|
39
|
|
1
|
|
3
|
|
|
|
|
2
|
|
2
|
|
2
|
|
1
|
|
1
|
|
14
|
2
|
|
|
1
|
|
4
|
|
4
|
|
|
|
5
|
|
6
|
|
|
|
|
10
|
|
7
|
|
2
|
|
|
|
4
|
|
10
|
|
2
|
|
18
|
|
4
|
|
2
|
|
1
|
|
1
|
The Art of Foley (2015)
(TV Mini-series) - Sound Designer (3 episodes, 2015), Re-recording Mixer (3 episodes, 2015) |
3
|
Comedy Blaps (2015)
(TV Series) - Sound Designer (3 episodes, 2015), Re-recording Mixer (3 episodes, 2015)
The Art of Foley: Episode 3 - Velcro (Feb
26,
2015)
Season 5,
Episode 3
-
Re-recording Mixer,
Sound Designer
|
3
|
|
1
|
|
|
|
4
|
|
|
|
4
|
|
|
Coronation Street (2010–2012)
(TV Series) - Re-recording Mixer (252 episodes, 2011), Sound Editor (45 episodes, 2011), Post Production Sound Trainee (2 episodes, 2010) |
289
|
|
|
|
1
|
| Other (1 title) |
|---|
|
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