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Lucas Meyer (I)
Sound Department
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Credits | |
| 325 titles |
| Films in Production (2 titles) | Budget | Status |
|---|---|---|
|
$2.3MM
|
Post-Prod
|
|
Post-Prod
|
| Past Film & Video (311 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
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$1.2MM
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$2.7MM
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$500K
|
$1K
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$800K
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$3K
|
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$125
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$26K
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$11K
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$34K
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$20K
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BRL 7.9MM
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$6K
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$1K
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$500K
|
$900
|
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$386
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DOP 63MM
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$600K
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$10K
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$40K
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$33K
|
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$26K
|
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$25
|
|||
Crónica de una tormenta (2020)
M&e Re-recording Mixer, Re-recording Mixer, Trailer Re-recording Mixer |
$18K
|
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$1MM
|
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|
||||
|
||||
|
$624K
|
$1.5MM
|
$4.6MM
|
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|
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|
||||
|
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$14K
|
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|
ARS 1
|
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|
||||
|
||||
|
||||
|
||||
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$28K
|
|||
|
||||
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$11K
|
|||
|
$75K
|
|||
|
$3K
|
|||
|
||||
|
$1MM
|
$93K
|
||
|
$13K
|
|||
|
$24K
|
|||
|
||||
|
$217
|
|||
|
$1.3MM
|
|||
|
$7.4MM
|
|||
|
$130K
|
$68K
|
||
|
||||
|
$4K
|
|||
|
$10K
|
|||
|
ARS 1.5MM
|
|||
|
$5K
|
|||
|
$281K
|
|||
|
$108K
|
|||
|
$250K
|
$2K
|
||
|
||||
|
||||
|
$2K
|
|||
|
$10K
|
|||
|
|
||||
|
$3K
|
|||
|
$1K
|
|||
|
||||
|
||||
|
$30K
|
|||
|
$500K
|
$718
|
||
|
$8K
|
|||
|
$456
|
|||
|
$3.5MM
|
|||
|
||||
|
ARS 2MM
|
|||
|
||||
|
$86
|
|||
|
BRL 900K
|
|||
|
$4K
|
|||
|
$69K
|
|||
|
$180K
|
|||
|
$446
|
|||
|
$403
|
|||
|
€230K
|
$586
|
||
|
||||
|
$190
|
|||
|
||||
|
€228K
|
|||
|
$2K
|
|||
|
$1.6MM
|
$3K
|
||
|
$316K
|
|||
|
$1.2MM
|
$237K
|
||
|
$33K
|
|||
|
$2K
|
$30K
|
$205K
|
|
|
$6MM
|
$5.7MM
|
||
|
$4K
|
|||
|
$911
|
|||
|
ARS 2MM
|
$702
|
||
|
$12K
|
|||
|
$1.6MM
|
|||
|
$637
|
|||
|
||||
|
ARS 2
|
$1K
|
||
|
$8K
|
|||
|
|
||||
|
$2K
|
|||
|
$20K
|
|||
|
$15K
|
|||
|
$41
|
|||
|
$3K
|
|||
|
ARS 2MM
|
$15K
|
||
|
$77K
|
|||
|
$15K
|
|||
|
$9K
|
|||
|
$10K
|
|||
|
ARS 7MM
|
$8K
|
||
|
$7K
|
|||
|
$45K
|
|||
|
$948
|
|||
|
$27K
|
|||
|
$500K
|
|||
|
$2K
|
|||
|
$10K
|
|||
|
$900K
|
|||
|
||||
|
$1K
|
|||
|
||||
|
$10K
|
|||
|
||||
|
$395K
|
|||
|
||||
|
||||
|
$60K
|
$570
|
||
|
||||
|
$8K
|
|||
|
$440K
|
|||
|
$404K
|
|||
|
BRL 7.5MM
|
|||
|
$1.7MM
|
|||
Walsh entre todos (2015)
Dialogue Editor, Re-recording Mixer, Sound, Sound Effects Editor, Supervising Sound Editor |
||||
|
||||
|
$1.4MM
|
$2K
|
||
|
$19K
|
|||
|
BRL 3MM
|
$1.6MM
|
||
|
||||
|
||||
|
||||
|
||||
|
|
||||
|
||||
|
$143K
|
|||
|
|
||||
|
||||
Los adioses (2014)
Dialogue Editor, Re-recording Mixer, Sound Editor, Sound Effects Editor, Sound Mixer, Supervising Sound Editor |
||||
|
$888K
|
|||
|
$550K
|
$37K
|
||
|
Malka, una chica de la Zwi Migdal (2014)
Dialogue Editor, Post Production Sound, Re-recording Mixer, Sound Effects Editor, Supervising Sound Editor |
||||
|
||||
|
BRL 12MM
|
$5K
|
$9K
|
$618K
|
|
$3.4MM
|
|||
|
$1K
|
|||
|
|
||||
|
||||
|
||||
La ballena va llena (2014)
Dialogue Editor, Re-recording Mixer, Sound, Sound Effects Editor, Supervising Sound Editor |
||||
|
||||
|
||||
|
Saldaño, el sueño dorado (2014)
Dialogue Editor, Re-recording Mixer, Sound Effects Editor, Supervising Sound Editor |
||||
|
||||
|
$128K
|
|||
|
$1.5MM
|
$23K
|
||
|
$43K
|
|||
|
||||
|
$13K
|
|||
|
||||
|
$15K
|
|||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$4K
|
|||
|
||||
|
||||
|
||||
|
|
||||
|
||||
|
$150K
|
$54K
|
||
|
||||
|
||||
|
||||
|
ARS 3.5MM
|
$198K
|
||
|
||||
|
ARS 6.8MM
|
$616K
|
||
|
||||
|
|
||||
|
$12K
|
$6K
|
$22K
|
$22K
|
|
||||
|
$65K
|
|||
|
|
||||
|
$250K
|
|||
|
|
||||
|
|
||||
|
|
||||
|
||||
|
||||
|
$320K
|
|||
|
$42K
|
|||
|
||||
|
$12K
|
|||
|
BOB 16K
|
|||
|
$3K
|
|||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$1.1MM
|
|||
|
||||
|
||||
|
||||
|
$740K
|
|||
|
$600K
|
|||
|
|
||||
|
$102K
|
|||
La palabra empeñada (2010)
Dialogue Editor, Re-recording Mixer, Sound Effects Editor, Supervising Sound Editor |
||||
|
$20K
|
|||
|
$3K
|
|||
|
ARS 2.5MM
|
$161K
|
||
|
$4K
|
|||
|
$350K
|
|||
|
$6K
|
$1.1MM
|
||
|
|
||||
|
||||
|
|
$500
|
|||
|
$350K
|
|||
|
||||
|
$5K
|
|||
|
||||
|
$21K
|
|||
|
|
||||
|
|
||||
|
$1.8MM
|
$35K
|
||
|
$3.1MM
|
|||
|
||||
|
$93K
|
|||
|
$124K
|
|||
|
$6.1MM
|
|||
|
$1MM
|
$139K
|
||
|
$1.3MM
|
|||
|
$6.8MM
|
|||
|
$333K
|
|||
|
$32K
|
|||
|
$681K
|
|||
|
||||
|
|
||||
|
$20K
|
|||
|
$11MM
|
|||
|
$70K
|
|||
|
$5K
|
$59K
|
$1.8MM
|
| Past Television (12 titles) | Episodes |
|---|---|
|
10
|
|
1
|
|
8
|
|
10
|
Almost Happy (2022)
(TV Series) - Dialogue Premixer (8 episodes, 2022), Dialogue Editor (1 episode, 2022) |
8
|
|
10
|
Break It All: The History of Rock in Latin America (2020)
(TV Mini-series) - Sound Mixer (6 episodes, 2020), Dialogue Pre-mixer (4 episodes, 2020), Sound Restoration (2 episodes, 2020), Sound Editor (2 episodes, 2020) |
6
|
|
1
|
|
8
|
My Lucky Day (2019)
(TV Mini-series) - Foley Editor (2 episodes, 2019)
Quien dice una mentira, dice cien, se inventa un millón (Nov
29,
2019)
Season 1,
Episode 3
-
Foley Editor
|
2
|
13
|
|
|
13
|
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