Past Film & Video
(39 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
|
$83MM
|
|
|
|
|
$35MM
|
$23MM
|
$65MM
|
$88MM
|
Glass Onion (2022)
Digital Compositor (Weta Visual Effects NZ)
Digital Compositor (Weta Visual Effects NZ)
See fewer
|
$40MM
|
$9.4MM
|
$13MM
|
$13MM
|
|
$200MM
|
$75MM
|
$225MM
|
$432MM
|
|
$185MM
|
$26MM
|
$56MM
|
$169MM
|
|
$200MM
|
$32MM
|
$101MM
|
$470MM
|
|
$356MM
|
$357MM
|
$858MM
|
$2.8B
|
|
$100MM
|
$7.6MM
|
$16MM
|
$84MM
|
|
$321MM
|
$258MM
|
$679MM
|
$2.05B
|
|
$300MM
|
$94MM
|
$229MM
|
$661MM
|
|
$150MM
|
$56MM
|
$147MM
|
$491MM
|
|
$65MM
|
$22MM
|
$76MM
|
$144MM
|
|
$120MM
|
$26MM
|
$56MM
|
$168MM
|
|
$250MM
|
$55MM
|
$255MM
|
$962MM
|
|
$170MM
|
$73MM
|
$209MM
|
$711MM
|
|
$225MM
|
$74MM
|
$258MM
|
$959MM
|
|
$130MM
|
$158MM
|
$425MM
|
$865MM
|
Iron Man 3 (2013)
Digital Effects Crew (Weta Digital)
Digital Effects Crew (Weta Digital)
See fewer
|
$200MM
|
$174MM
|
$409MM
|
$1.22B
|
|
$180MM
|
$85MM
|
$303MM
|
$1.02B
|
|
$102MM
|
$9.6MM
|
$27MM
|
$131MM
|
|
$220MM
|
$207MM
|
$623MM
|
$1.52B
|
|
$209MM
|
$26MM
|
$65MM
|
$303MM
|
Red Tails (2012)
Digital Effects Artist (Pixomondo)
Digital Effects Artist (Pixomondo)
See fewer
|
$58MM
|
$19MM
|
$50MM
|
$50MM
|
|
$79MM
|
$27MM
|
$104MM
|
$335MM
|
|
$125MM
|
$86MM
|
$210MM
|
$626MM
|
|
€1.5MM
|
|
|
$679K
|
|
€6.5MM
|
|
|
$2.4MM
|
|
$150MM
|
$40MM
|
$132MM
|
$320MM
|
|
$40MM
|
$13MM
|
$38MM
|
$62MM
|
|
€8MM
|
|
|
$56MM
|
|
|
|
|
$17MM
|
|
€10MM
|
|
|
$16MM
|
|
$10MM
|
|
|
$82K
|
|
€18MM
|
$14K
|
$37K
|
$2.8MM
|
Man on Wire (2008)
Digital Compositor (Clarke Associates)
Digital Compositor (Clarke Associates)
See fewer
|
£1MM
|
$51K
|
$3MM
|
$5.3MM
|
|
$60MM
|
$3.3MM
|
$4.8MM
|
$13MM
|
BloodRayne (2005)
Compositor (Elektrofilm Postproduction Facilities)
Compositor (Elektrofilm Postproduction Facilities)
See fewer
|
$25MM
|
$1.6MM
|
$2.4MM
|
$3.7MM
|
|
£2MM
|
|
|
$2.5MM
|
|
$11MM
|
$31K
|
$441K
|
$4.7MM
|