| Past Film & Video
(40 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
Carry-On (2024)
On-set Visual Effects Supervisor
On-set Visual Effects Supervisor
See fewer
|
|
|
|
|
|
$90MM
|
|
|
|
|
|
|
|
|
|
$185MM
|
$29MM
|
$62MM
|
$261MM
|
|
$20MM
|
$15MM
|
$41MM
|
$49MM
|
|
$150MM
|
$56MM
|
$147MM
|
$491MM
|
|
|
|
|
|
|
HKD 300MM
|
$85K
|
$182K
|
$43MM
|
|
$13MM
|
$114K
|
$19MM
|
$35MM
|
|
$61MM
|
$38MM
|
$168MM
|
$371MM
|
|
$130MM
|
$28MM
|
$61MM
|
$244MM
|
Oblivion (2013)
Compositing Supervisor: Pixomondo
Compositing Supervisor: Pixomondo
See fewer
|
$120MM
|
$37MM
|
$89MM
|
$286MM
|
|
$170MM
|
$56MM
|
$155MM
|
$397MM
|
|
$110MM
|
$27MM
|
$85MM
|
$299MM
|
|
$195MM
|
$98MM
|
$352MM
|
$1.12B
|
|
$170MM
|
$44MM
|
$172MM
|
$400MM
|
2012 (2009)
Senior Compositing Artist
Senior Compositing Artist
See fewer
|
$200MM
|
$65MM
|
$166MM
|
$791MM
|
Shorts (2009)
Digital Compositor: Hybride
Digital Compositor: Hybride
See fewer
|
$40MM
|
$6.4MM
|
$21MM
|
$29MM
|
|
$175MM
|
$55MM
|
$150MM
|
$302MM
|
|
$150MM
|
$75MM
|
$258MM
|
$386MM
|
|
$150MM
|
$27MM
|
$128MM
|
$336MM
|
|
$150MM
|
$77MM
|
$256MM
|
$585MM
|
|
$35MM
|
$6.7MM
|
$15MM
|
$65MM
|
|
$175MM
|
$31MM
|
$100MM
|
$174MM
|
|
$150MM
|
$71MM
|
$319MM
|
$710MM
|
|
$300MM
|
$115MM
|
$309MM
|
$962MM
|
|
$110MM
|
$45MM
|
$116MM
|
$229MM
|
Blood Diamond (2006)
Digital Compositor: Flash Film Works (uncredited)
Digital Compositor: Flash Film Works (uncredited)
See fewer
|
$100MM
|
$8.6MM
|
$57MM
|
$172MM
|
The Guardian (2006)
Digital Compositor: Flash Film Works (as Daniel Dalton Akers)
Digital Compositor: Flash Film Works (as Daniel Dalton Akers)
See fewer
|
$70MM
|
$18MM
|
$55MM
|
$95MM
|
|
$33MM
|
$14MM
|
$34MM
|
$62MM
|
|
$225MM
|
$136MM
|
$423MM
|
$1.07B
|
|
$85MM
|
$24MM
|
$63MM
|
$159MM
|
|
$50MM
|
$27MM
|
$62MM
|
$111MM
|
|
$207MM
|
$50MM
|
$218MM
|
$557MM
|
|
$50MM
|
$12MM
|
$39MM
|
$72MM
|
|
$5MM
|
|
|
|
|
$50MM
|
$35MM
|
$76MM
|
$164MM
|
|
$30MM
|
$20MM
|
$61MM
|
$62MM
|
|
$50MM
|
$22MM
|
$75MM
|
$203MM
|
|
$60MM
|
$29MM
|
$84MM
|
$181MM
|