Larry Wilcox (I)

Actor | Producer | Director
Visit on IMDb
CHiPs (1977-1983) | The Ray Bradbury Theatre (1985-1992) | Death of a Centerfold: The Dorothy Stratten Story (1981)
1 win & 3 nominations More »
Aug 8, 1947 (age 70)
5' 11" (1.80m)
Commercial | Theater | Radio | Film | Voice Over | Television  Less
Producing | Directing | Acting | Writing  Less
US (with valid passport) (Authorized to work in United States)
Not willing to work unpaid
* Starred info submitted by page owner via IMDb Resume (has not been verified by IMDb).

Filmography Filter

Projects in Development (2 titles)YEARBUDGETSTATUS
Films in Production (2 titles)YEARBUDGETSTATUS
Past Film & Video (9 titles)YEARBUDGETUS Gross / WORLDWIDE
Past Television (46 titles)YEAREPISODE COUNT
  • Primary photo for Cowboys and HeroesCowboys and Heroes (TV Series) Director (1 episode, 2015), Producer (1 episode, 2015)  Less 2015 1
    • Tombstone (2015) Director, Producer (2015)  Less
  • Primary photo for 30 Rock30 Rock (TV Series) Larry Wilcox (1 episode, 2009)  Less 2009 1
  • Primary photo for E! True Hollywood StoryE! True Hollywood Story (TV Series) Himself (1 episode, 1999), Special Thanks (1 episode, 1999)  Less 1999 1
    • CHiPs (Dec 26, 1999) Himself, Special Thanks  Less
  • Primary photo for CHiPs '99CHiPs '99 (TV Movie) Capt. Jon Baker, Producer  Less 1998
  • Primary photo for ProfilerProfiler (TV Series) Deputy Clark (1 episode, 1998)  Less 1998 1
  • Primary photo for Pacific BluePacific Blue (TV Series) Nate Calley (1 episode, 1997)  Less 1997 1
  • Primary photo for ABC Afterschool SpecialsABC Afterschool Specials (TV Series) Howard Cooper (1 episode, 1994)  Less 1994 1
  • Primary photo for FBI: The Untold StoriesFBI: The Untold Stories (TV Series) Bob Jones (1 episode, 1993)  Less 1993 1
  • Primary photo for Murder, She WroteMurder, She Wrote (TV Series) Floyd Bigelow / Dave Hastings / Boone Talbot / Andy Crane (4 episodes, 1986)  Less 1986–1992 4
    Show more
  • Primary photo for The Ray Bradbury TheaterThe Ray Bradbury Theater (TV Series) Executive Producer (62 episodes, 1985), Executive Producer (Wilcox Productions, Inc.) (2 episodes, 1985)  Less 1985–1992 64
    Show more
  • Primary photo for MacGyverMacGyver (TV Series) Minton (1 episode, 1991)  Less 1991 1
  • Primary photo for Rich Men, Single WomenRich Men, Single Women (TV Movie) Mark  Less 1990
  • Primary photo for Perry Mason: The Case of the Avenging AcePerry Mason: The Case of the Avenging Ace (TV Movie) Lieutenant Colonel Kevin Parks  Less 1988
  • Primary photo for AdderlyAdderly (TV Series) Jeff (1 episode, 1987)  Less 1987 1
  • Primary photo for MatlockMatlock (TV Series) Lester Matthews (1 episode, 1987)  Less 1987 1
  • Primary photo for Mike HammerMike Hammer (TV Series) Sonny Timmons (1 episode, 1987)  Less 1987 1
  • Primary photo for The Love BoatThe Love Boat (TV Series) Larry Davis / Wayne Dobson (2 episodes, 1980)  Less 1980–1986 2
  • Primary photo for The Dirty Dozen: Next MissionThe Dirty Dozen: Next Mission (TV Movie) Tommy Wells  Less 1985
  • Primary photo for HotelHotel (TV Series) Phil Lawrence / Brad Koburg (2 episodes, 1984)  Less 1984 2
    • Ideals (Dec 12, 1984) Phil Lawrence  Less
    • Memories (Feb 29, 1984) Brad Koburg  Less
  • Primary photo for Hardcastle and McCormickHardcastle and McCormick (TV Series) E.J. Corlette (1 episode, 1984)  Less 1984 1
  • Primary photo for Fantasy IslandFantasy Island (TV Series) Christopher Marshall (1 episode, 1984)  Less 1984 1
  • Primary photo for CHiPsCHiPs (TV Series) Officer Jon Baker (116 episodes, 1977), Director (2 episodes, 1979), Location Manager (France) (1 episode, 1983)  Less 1977–1983 117
    • Fun House (Mar 13, 1983) Location Manager (France)  Less
    • Force Seven (May 23, 1982) Officer Jon Baker  Less
    • K-9-1 (May 9, 1982) Officer Jon Baker  Less
    Show more
  • Primary photo for Deadly LessonsDeadly Lessons (TV Movie) Det. Russ Kemper  Less 1983
  • Primary photo for Death of a Centerfold: The Dorothy Stratten StoryDeath of a Centerfold: The Dorothy Stratten Story (TV Movie) Executive Producer  Less 1981
  • Primary photo for The Love TapesThe Love Tapes (TV Movie) Marty (uncredited)  Less 1980
  • Primary photo for 3-2-1 Contact3-2-1 Contact (TV Series) Jon Baker (1 episode, 1980)  Less 1980 1
  • Primary photo for The Last Ride of the Dalton GangThe Last Ride of the Dalton Gang (TV Movie) Emmet Dalton  Less 1979
  • Primary photo for DisneylandDisneyland (TV Series) Beech Carter / Phil Wilcox (4 episodes, 1973)  Less 1973–1978 4
    Show more
  • Primary photo for Trail of DangerTrail of Danger (TV Movie) Beech Carter  Less 1978
  • Primary photo for RelentlessRelentless (TV Movie) Buck  Less 1977
  • Primary photo for M*A*S*HM*A*S*H (TV Series) Corporal Mulligan (1 episode, 1977)  Less 1977 1
  • Primary photo for The Streets of San FranciscoThe Streets of San Francisco (TV Series) George Morgan (2 episodes, 1973)  Less 1973–1976 2
  • Primary photo for Sky HeistSky Heist (TV Movie) Deputy Jim Schiller  Less 1975
  • Primary photo for Death StalkDeath Stalk (TV Movie) Roy 'Jody' Joad  Less 1975
  • Primary photo for Lucas TannerLucas Tanner (TV Series) Chuck Grainger (1 episode, 1975)  Less 1975 1
  • Primary photo for Hawaii Five-OHawaii Five-O (TV Series) Mike (1 episode, 1974)  Less 1974 1
  • Primary photo for Sorority KillSorority Kill (TV Movie) Actor  Less 1974
  • Primary photo for Police StoryPolice Story (TV Series) Freddie Archer (1 episode, 1973)  Less 1973 1
  • Primary photo for The Partridge FamilyThe Partridge Family (TV Series) Feder (1 episode, 1973)  Less 1973 1
  • Primary photo for The Girl Most Likely to...The Girl Most Likely to... (TV Movie) Moose Myers  Less 1973
  • Primary photo for CannonCannon (TV Series) Tressider (1 episode, 1973)  Less 1973 1
  • Primary photo for LassieLassie (TV Series) Dale Holden / Dale / Dale Mitchell (24 episodes, 1971)  Less 1971–1973 24
    Show more
  • Primary photo for Room 222Room 222 (TV Series) Bruno / Denny (2 episodes, 1971)  Less 1971–1973 2
  • Primary photo for The Great American Beauty ContestThe Great American Beauty Contest (TV Movie) Joe Bunch  Less 1973
  • Primary photo for The Man and the CityThe Man and the City (TV Series) Actor (1 episode, 1971)  Less 1971 1
  • Primary photo for Mr. and Mrs. Bo Jo JonesMr. and Mrs. Bo Jo Jones (TV Movie) Charlie Saunders  Less 1971
Self (25 titles)YEARBUDGETUS Gross / WORLDWIDE
  • Primary photo for Inside EditionInside Edition (TV Series) Himself (1 episode, 2017)  Less 2017
  • Primary photo for Battle of the Network StarsBattle of the Network Stars (TV Mini-series) Himself - Contestant (1 episode, 2017)  Less 2017
  • Primary photo for The Ask BonBon ShowThe Ask BonBon Show (TV Series) Himself (1 episode, 2015)  Less 2015
  • Primary photo for Entertainment TonightEntertainment Tonight (TV Series) Himself - CHiPs / Himself - Chips (2 episodes, 2014)  Less 2014
  • Primary photo for Whatever Happened To?Whatever Happened To? (TV Series) Himself (1 episode, 2008)  Less 2008
  • Primary photo for The 3rd Annual TV Land AwardsThe 3rd Annual TV Land Awards (TV Special) Himself  Less 2005
  • Primary photo for E! True Hollywood StoryE! True Hollywood Story (TV Series) Himself (1 episode, 1999)  Less 1999
    • CHiPs (Dec 26, 1999) Himself  Less
  • Primary photo for The Daily ShowThe Daily Show (TV Series) Himself (1 episode, 1998)  Less 1998
  • Primary photo for Vicki!Vicki! (TV Series) Himself (1 episode, 1992)  Less 1992
  • Primary photo for Mickey Thompson: Man in the Steel CageMickey Thompson: Man in the Steel Cage Himself - Host  Less 1985
  • Primary photo for Tom Cottle: Up CloseTom Cottle: Up Close (TV Series) Himself (1 episode, 1982)  Less 1982
  • Primary photo for AFI Life Achievement Award: A Tribute to Frank CapraAFI Life Achievement Award: A Tribute to Frank Capra (TV Special) Himself (uncredited)  Less 1982
  • Primary photo for The 34th Annual Directors Guild AwardsThe 34th Annual Directors Guild Awards (TV Special) Himself  Less 1982
  • Primary photo for The Steve Allen Comedy HourThe Steve Allen Comedy Hour (TV Series) Himself (1 episode, 1980)  Less 1980
  • Primary photo for Bob Hope's All-Star Look at TV's Prime Time WarsBob Hope's All-Star Look at TV's Prime Time Wars Himself  Less 1980
  • Primary photo for The Mike Douglas ShowThe Mike Douglas Show (TV Series) Himself - Co-Host / Himself - Actor (7 episodes, 1979)  Less 1979–1980
    Show more
  • Primary photo for Battle of the Network Stars VIIIBattle of the Network Stars VIII (TV Special) Himself - NBC Team  Less 1980
  • Primary photo for The Alan Hamel ShowThe Alan Hamel Show (TV Series) Himself (1 episode, 1980)  Less 1980
  • Primary photo for The Merv Griffin ShowThe Merv Griffin Show (TV Series) Himself (1 episode, 1979)  Less 1979
  • Primary photo for Battle of the Network Stars VIBattle of the Network Stars VI (TV Special) Himself - NBC Team  Less 1979
  • Primary photo for Dinah!Dinah! (TV Series) Himself (1 episode, 1979)  Less 1979
  • Primary photo for EverydayEveryday (TV Series) Himself (1 episode, 1979)  Less 1979
  • Primary photo for The Hollywood Squares (Daytime)The Hollywood Squares (Daytime) (TV Series) Himself - Panelist (1 episode, 1978)  Less 1978
  • Primary photo for Battle of the Network Stars IVBattle of the Network Stars IV (TV Special) Himself - NBC Team  Less 1978
  • Primary photo for Battle of the Network Stars IIIBattle of the Network Stars III (TV Special) Himself - NBC Team  Less 1977
Archive Footage (3 titles)YEARBUDGETUS Gross / WORLDWIDE
  • Primary photo for Entertainment TonightEntertainment Tonight (TV Series) Himself - CHiPs (1 episode, 2014)  Less 2014
  • Primary photo for E! True Hollywood StoryE! True Hollywood Story (TV Series) Himself (1 episode, 2001)  Less 2001
    • Miami Vice (Mar 21, 2001) Himself (archive footage)  Less
  • Primary photo for CHiPsCHiPs (TV Series) Officer Jon Baker (1 episode, 1979)  Less 1979

Filter by:

Select: All | None

Prior Job Titles (submitted by page owner via IMDb Resume)

  • Producer/Director *
  • Producer/Writer/Director *
  • Actor *

Additional Resume Info (submitted by page owner via IMDb Resume)

  • *
    |  |
    |LARRY WILCOX – Distribution Tech; SAG, WGA, DGA |
    | |
    |Organizational Leadership skills; People Skills; |
    |Creative Problem Solving Skills, Critical Thinking |
    |skills,. Negotiation skills, Content Marketing |
    |skills, PPM/Capital Raising Skills, filmmaking |
    |skills |
    | |
    |2012 -2013- Digital Cross Platform Distribution-all |
    |content to all screens; cloud or server based, 57 |
    |languages, rule based, tiered access; |
    | |
    |April 2013- Interface with digital signage |
    |distribution for UK Soccer Clubs along with content |
    |distribution and marketing. |
    | |
    |April 2013- Interface with the most popular LinkedIn|
    |site and build out Content Distribution Network- the|
    |UN of Parenting |
    | |
    |March 2013- build out digital distribution platform |
    |with chain of custody integrated for Digital |
    |Security and Public Safety Apps. |
    | |
    |Dec 2012- kick off of Cross Platform Digital |
    |Distribution Software- |
    | while doing the UN |
    |event in Qatar on Global Warming. |
    | |
    |Jan 2013- set up multiple cameras in major sports |
    |centers to capture and broadcast to all screens |
    |major sponsored competitions. |
    | |
    |Jan 2013 – sign contract with advertisers who want |
    |to be able to distribute their content to ALL |
    |screens including digital signage. |
    | |
    |Jan 2013 – strategically align with Big Box Retail |
    |Manufacturing Distributor so that we can deliver |
    |education, advertising and promotion to all screens |
    |for retailers and manufacturers. |
    | |
    |Larry Wilcox – Entertainment Industry – SAG, WGA, |
    |DGA |
    | |
    |Jan 2013- Producer with Cy Chermak – |
    | |
    | |
    |Dec 2013 – Actor – Feature film – A Tale of Two |
    |Cities |
    | |
    |Nov 2012 Produced, Wrote and Directed Comedy Reality|
    |TV Series- Gold Diggers |
    | |
    |Sept 2012 – Produced and Directed CHIPS Reunion – an|
    |E Special |
    | |
    |August 2012 – Produced, Wrote, and Directed DUPED |
    |for TV |
    | |
    |July 2012 – Optioned TV Series Concept – POINTS – |
    |Action Drama |
    | |
    |June 2012- Completed Animation and Commercials for |
    |Corp Clients |
    | |
    | |
    | |
    |LARRY WILCOX- There are those who believe that in |
    |show business, it's easier to be unreasonably famous|
    |for a year than it is to be merely successful for |
    |thirty.  Larry Wilcox has seen show business from |
    |all sides - as an actor, producer, writer and |
    |director. He not only survived his fame as co-star |
    |of one of the most popular television shows of the |
    |early 1980s, but he has turned his five year stint |
    |on CHiP's into an enduring professional career on |
    |both sides of the camera, finding solutions both in |
    |and out of show business. |
    |Nearly thirty years after CHiP's debuted on NBC, |
    |Wilcox is still an articulate, intelligent talent |
    |with a gravelly Wyoming accent. Wilcox's portrayal |
    |of CHP Officer Jon Baker drew from his own |
    |background; like Wilcox, Jon was a quiet but driven |
    |country boy making good in the big city. In fact, |
    |Wilcox was born in California but moved to Wyoming |
    |as an infant. Raised by a single mother (along with |
    |two brothers and a sister), he remembers that the |
    |family had to work hard to make ends meet. One of my|
    |most proud days as a youngster was the day that I |
    |got hired - I was twelve years old and I got a JOB! |
    |I worked in the summer on a sheep and cattle ranches|
    |and slept in covered chuck wagons and in the |
    |mountains in a real teepee. While he attributes his|
    |Mother's influence to his "sensitive" side, the |
    |introspective man remembers Wyoming as tough, where |
    |the environment beckoned you and mankind slapped |
    |you.  |
    |Moving out to California after his freshman year of |
    |college, Wilcox contemplated a career in music until|
    |an acting coach encouraged him to try performing. |
    |Soon, however, Wilcox joined the best, the Marines |
    |(like his older brother). Although he was offered a |
    |stint as a Marine Officer it required a 6-year |
    |additional enlistment and Wilcox decided not to |
    |accept Marine Officer Training School and to pursue |
    |foreign languages and embassy duty as an enlisted |
    |man. The day of his departure, his orders were |
    |fouled up and he was sent to Vietnam during the Tet |
    |Offensive, where he was part of a recon team |
    |inserted with a T-16 survey piece of equipment |
    |mapping the mountain tops and jungle for future fire|
    |bases where he also worked his math and slide rule |
    |magic in a Fire Direction Control Center. After his|
    |meritorious awards and honorable discharge, he |
    |returned to Los Angeles and attended college, where |
    |he Double-majored in Pre-Med and Drama. Thus began a|
    |pattern of balance that would recur throughout |
    |Wilcox's career - economic security versus |
    |right-brain creativity."  he calls it now.  He was |
    |applied to Medical schools in Nebraska and Texas but|
    |decided that acting was more fun (indulgent) and |
    |more lucrative at this young reckless age. |
    |Wilcox' first break competing against 300 actors was|
    |being cast as Dale Mitchell in the syndicated series|
    |"LASSIE" in 1972. Wilcox had a voracious appetite |
    |for information, and he stated, it wasn’t just the |
    |acting that was exciting as "I used to show up on |
    |the set with my Bolex camera and annoy the camera |
    |guys with elementary questions like what kind of |
    |f-stop, how could I increase grain and push film, |
    |how many ND Filters, and shutter speed I should |
    |use," he remembers with a chuckle. After "Lassie," |
    |Wilcox got a number of guest starring roles on |
    |popular series (NBC,ABC, CBS) such as "M*A*S*H," |
    |"Hawaii Five-O" and "The Streets of San Francisco"  |
    |“Love Boat”, and starred in several movies for |
    |Disney, MGM and FOX, like “Dirty Dozen” “ The Dalton|
    |Gang”, “AeroBureau”, “The Last Hard Men” “Mission |
    |Manilla” and others. |
    |When "CHiPs" first premiered in 1977, it starred |
    |Wilcox and newcomer Erik Estrada (as Officer Frank  |
    |"Ponch" Poncharello). At first, the show was more in|
    |the vein of "Adam 12" or other police dramas; after |
    |the first season, however, the show took on a |
    |glossier, more elaborate style. "CHiPs" soared |
    |in the Nielsen’s as Estrada and Wilcox became TVs |
    |most popular crime fighting duo - albeit against |
    |the glamorous backdrop of southern California. |
    |Roller disco, hang gliding and go-carts seemed to |
    |be plotlines as much as car theft rings, drunk |
    |drivers or freeway accidents. As the series |
    |progressed, Wilcox began to grow frustrated with his|
    |role and yearned for growth and intellectual |
    |stimulation, thus, being more creatively involved |
    |with the series.  As he did on "Lassie," he would |
    |bring his own camera to the set and work on new ways|
    |of shooting from the Kawasaki motorcycles that were |
    |Ponch and Jon's primary mode of transportation. It |
    |was as a result of his vision and tenacity that some|
    |of the cool Point of View camera angles were |
    |instituted. He states, I was simply searching for |
    |tools to enhance the experience of the viewer and |
    |hopefully adding longevity to this high paying job |
    |that had little intellectual stimulation. |
    |Ultimately, Wilcox directed two of the series |
    |highest-rated episodes ("Ride the Whirlwind" and |
    |"Tow Truck Lady").  "I'm the kind of person who just|
    |likes to participate creatively regardless of the |
    |credit," he admits, “ Industrious and tenacious, |
    |Larry wrote episodes, filmed on weekends shows |
    |concepts that were later used, and also convinced |
    |the producers to “Let him direct.'"  |
    |After he left "CHiPs" in 1982, Wilcox quickly moved |
    |into producing. He aggressively pursued the |
    |rights to "THE DOROTHY STRATTON STORY" which starred|
    |Jamie Lee Curtis, and which Wilcox produced for |
    |NBC.  The surgically precise negotiations that |
    |Wilcox won over Hugh Hefner, NBC and MGM were very |
    |delicate and aggressive, sometimes warranting all |
    |night negotiations and investigatory work. He |
    |consummated the rights to the story within 48 hours |
    |while others slept. The story of the Playboy model |
    |murdered by her boyfriend was an all-too-familiar |
    |tragedy to Wilcox, whose own sister had been |
    |murdered by her husband. Wilcox went on to produce |
    |and direct commercials, specials and TV series. In |
    |six weeks he made 8 deals at MGM. During this same |
    |period of time Wilcox flew to the UK and acquired |
    |the rights to The YORKSHIRE RIPPER and sold that to |
    |MGM. He then began to branch out with his “studio |
    |networks” and sold The WOLFMAN JACK STORY to |
    |COLUMBIA Pictures. |
    |Wilcox also developed; executive produced and |
    |directed the multiple ACE-Award winning TV Series |
    |"The Ray Bradbury Theater," which as a result of |
    |Wilcox’s leadership ran on HBO and the USA network |
    |for five years with reruns thereafter.  He |
    |negotiated the deals with HBO, and the Treaty |
    |countries and their special tax allowance programs |
    |that demanded critical thinking skills. Eventually |
    |Wilcox had found ways to produce these shows with |
    |foreign investment and tax incentives by taking |
    |advantage of the currency play and producing the |
    |episodes in France, England, Canada, and New |
    |Zealand. Wilcox states the intangible asset |
    |enhancement that took place was almost as exciting |
    |as the standard GAP P&Ls and Balance Sheets. These |
    |were multi- million dollar productions with |
    |logistics and budgets for 60-100 employees around |
    |the world. His quantitative analysis skills were |
    |very beneficial. |
    |Wilcox went on to produce and develop the major |
    |motion picture, FLIPPER that Universal Pictures |
    |released. In retrospect,Wilcox directed the |
    |contract lawyers with protective language and as a |
    |result he added longevity and profit from what would|
    |have been a futile project. He subsequently |
    |produced the Lil CHiPs pilot for a TV series. His |
    |leadership dogma and the tenacious team of critical |
    |thinkers along with strategic team members he picks |
    |seem to perpetuate success. |
    |Again, Wilcox' life has always seemed to balance |
    |between show business and other business concerns. |
    |Wilcox states that acting was a fun lark as a young |
    |indulgent male searching for identity solutions in |
    |life. He says, “I feel so lucky I was able to ride |
    |the merry- go- round that most people dream about |
    |but never get the opportunity and if they do, it is |
    |later in life and it is sometimes construed as a |
    |poor and untimely reflection” The film business |
    |was a great lesson in business combat and what it |
    |takes to survive. If you ask Wilcox to write a |
    |Private Placement Memorandum he has done it many |
    |times; if you ask him to present to a group of |
    |analysts he will do it with an eloquent flair; if |
    |you ask him to present to Investment Bankers he |
    |knows in detail the requirements before the game |
    |starts; and if you ask him to stay late and finish a|
    |project, he will lead the team by working right next|
    |to each of them. |
    |Wilcox spends his “off time”, with his family, |
    |including wife Marlene Harmon Wilcox (a former |
    |member of the Olympic track team) and children |
    |Wendy, Derek, Heidi, Ryan and Chad. "Family is very |
    |important to me because that is the footprint we |
    |perpetuate," he says philosophically. "That is the |
    |Ripple' in the water when the rock first impacts the|
    |pool, and it is those waves, that energy that one |
    |produces, which often dictate our signature and our |
    |resonance"  |
    |  Even so many years later, Wilcox is somewhat |
    |stunned by the recognition he gets for "CHiPs." "I |
    |went to the graduation of a friend's son from |
    |Annapolis and it was like I was a VIP," he recalls. |
    |"At another evening I got off the plane in Brazil |
    |once and there were 40,000 fans waiting for me." |
    |Wilcox admits that such recognition is "a sweet |
    |panacea that becomes bitter with large doses." "The |
    |respect I really want is simple and comes from my |
    |family, and my close friends who understand deeply |
    |the word, loyalty." |
    |As an actor and producer doing the CHiPs reunion in |
    |1998 Wilcox states. "It was wonderful to see the |
    |sparkle in my little boys' eyes when I put on |
    |the CHP uniform I was their John Wayne for a day and|
    |for them to go into Toys- R-Us and see their own Dad|
    |as an Action Figure." “I am very grateful for the |
    |experience and the memories the film business has |
    |afforded me. I hope the sparkle in my boy’s eyes is|
    |now reflected in my excited but older eyes. |
    |For the last decade Wilcox has been setting up VISA |
    |banking solutions and payroll cards in West Africa |
    |and recently set up a precious gem mining business. |
    |He is presently is working on multiple TV projects |
    |including a documentary on at-risk youth titled |
    |Flowers and Gardeners. He just completed shooting |
    |for Mitsubishi in April of 2012 and began shooting |
    |immediately a documentary about Land Grabs and Civil|
    |Liberties. He also just shot a Pilot and Sizzle |
    |Reel (wrote, produced and Directed) called GOLD |
    |DIGGERS and is in discussions with Networks. He is |
    |also producing and directing a CHIPS Special in |
    |September 2012. |
    |Today, 2012, Wilcox is providing a very unique cross|
    |platform digital distribution management solution |
    |for all verticals including the entertainment |
    |business. Wilcox states that ingesting all |
    |protocols and then selecting the screen they will be|
    |delivered to, and then optimizing the content for |
    |that screen is where distribution is going. Video |
    |production is taking up the majority of all online |
    |business and will continue to grow in sales in |
    |double digits. Retail, Medical, Education, |
    |Manufacturing and Entertainment are primed to |
    |utilize cross platform solutions. Creating a |
    |content marketing strategy and distributing that |
    |content will define longevity for most businesses in|
    |the next five years |
    |Wilcox, a solid family man indulges in a myriad of |
    |hobbies, including basketball, rodeo, WW II |
    |aircraft, reading philosophy, psychology, guitar, |
    |and biographies of American business icons while |
    |being a life long student of parenting and |
    |psychology. |
    |Wilcox was a former professional race car driver for|
    |the SCCA, and also set 8 International Land Speed |
    |Records at the Bonneville Salt Flats. He also raced|
    |off road and placed 4th in a Class 8 Ford Truck in |
    |the famous Baja 1000. He was a member of the |
    |Professional Rodeo Cowboys Association and competed |
    |in professional rodeos around the country. He is a|
    |private pilot and enjoys flying in formation with |
    |other “like minded” pilots. In 2002 Wilcox was |
    |invited by the department of Commerce in Washington |
    |D.C. to sit on the emerging technology board. He has|
    |also been a provocative speaker at veteran events. |
    |Wilcox consistently exhibits the critical thinking |
    |skills that will impress his audience and his peers |
    |whether he is negotiating an International Deal with|
    |Tax Credits or Presenting to a group of analysts on |
    |performance metrics. |
    |Wilcox still enjoys studying international |
    |photography, lighting, technology, marketing, the |
    |psychology of parenting and writing essays. He has|
    |long been a collector of French Burgundy wines or |
    |its counterpart, California Pinot Noirs, and staying|
    |up with the technology of reconfigurable computers |
    |and field programmable gate arrays. He is |
    |articulate, intelligent and completely candid in his|
    |interviews, and a fascinating and rich subject for |
    |anyone interested in a deeper conversation about |
    |philosophy, juvenile justice, psychology, television|
    |history, Vietnam, manhood, etymology, or simply the |
    |story of a very introspective, sensitive and |
    |gracious leader who has refused to let fame, |
    |perceptions or celebrity get in the way of hard |
    |work. His friends and family know him as extremely |
    |loyal, honest, philanthropic and someone with a |
    |voracious work ethic! When asked what he likes in |
    |people he said….humility, transparency and hard work|
    |with a good attitude! |
    | |
    | |
    | |
    | |
    | |
    | |
    | |
    | |
    | |

* Starred info submitted by page owner via IMDb Resume (has not been verified by IMDb).
Edit Page Submit additional information and/or report errors on this page. If it is approved by IMDb database managers, it will be added to the page in a future update.

Become an IMDbPro Member Today

Get access to the leading information resource for the entertainment industry

Find Contacts & Representation

Showcase Yourself

Follow Industry Trends

Stay connected with contact details for over 300,000 industry professionals and companies

Manage your photos and the credits you're Known For on IMDbPro, IMDb and Amazon Video

Keep up to date with entertainment news and follow in-development titles not available on IMDb

Start your 30-Day free trial
Already a member?