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Credits | |
| 50 titles |
| Past Film & Video (49 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
Joker: Folie à Deux (2024)
Visual Effects Producer: Scanline VFX (as Lisa K. Spence) Visual Effects Producer: Scanline VFX (as Lisa K. Spence) See fewer |
$190MM
|
$38MM
|
$58MM
|
$208MM
|
The Gray Man (2022)
Head Of Digital Production: Scanline VFX Head Of Digital Production: Scanline VFX See fewer |
$200MM
|
$454K
|
||
The Adam Project (2022)
Senior Management: Scanline VFX (as Lisa K. Spence) Senior Management: Scanline VFX (as Lisa K. Spence) See fewer |
$116MM
|
|||
$120MM
|
$28MM
|
$122MM
|
$332MM
|
|
Spider-Man: Far from Home (2019)
Visual Effects Producer: Scanline VFX (as Lisa K. Spence) Visual Effects Producer: Scanline VFX (as Lisa K. Spence) See fewer |
$160MM
|
$93MM
|
$391MM
|
$1.13B
|
Tomb Raider (2018)
Visual Effects Producer: Scanline VFX, Visual Effects Producer: ScanlineVFX Visual Effects Producer: Scanline VFX, Visual Effects Producer: ScanlineVFX See fewer |
$94MM
|
$24MM
|
$58MM
|
$275MM
|
Justice League (2017)
Head Of Digital Production: ScanlineVFX Head Of Digital Production: ScanlineVFX See fewer |
$300MM
|
$94MM
|
$229MM
|
$661MM
|
Guardians of the Galaxy Vol. 2 (2017)
Head Of Digital Production: Scanline VFX, Los Angeles Head Of Digital Production: Scanline VFX, Los Angeles See fewer |
$200MM
|
$147MM
|
$390MM
|
$864MM
|
Power Rangers (2017)
Head Of Digital Production: ScanlineVFX, Los Angeles Head Of Digital Production: ScanlineVFX, Los Angeles See fewer |
$100MM
|
$40MM
|
$85MM
|
$142MM
|
Miss Peregrine's Home for Peculiar Children (2016)
Head Of Digital Production: Scanline VFX, Los Angeles Head Of Digital Production: Scanline VFX, Los Angeles See fewer |
$110MM
|
$29MM
|
$87MM
|
$296MM
|
The Promise (2016)
Head Of Digital Production: ScanlineVFX, Los Angeles Head Of Digital Production: ScanlineVFX, Los Angeles See fewer |
$90MM
|
$4.1MM
|
$8.2MM
|
$12MM
|
$100MM
|
$11MM
|
$26MM
|
$94MM
|
|
Batman v Superman: Dawn of Justice (2016)
Visual Effects Production Management: Scanline (as Lisa K. Spence) Visual Effects Production Management: Scanline (as Lisa K. Spence) See fewer |
$250MM
|
$166MM
|
$330MM
|
$874MM
|
The 5th Wave (2016)
Visual Effects Producer: Scanline VFX Visual Effects Producer: Scanline VFX See fewer |
$38MM
|
$10MM
|
$35MM
|
$110MM
|
The Hateful Eight (2015)
Visual Effects Producer: Scanline VFX Visual Effects Producer: Scanline VFX See fewer |
$44MM
|
$4.6MM
|
$54MM
|
$161MM
|
San Andreas (2015)
Head Of Digital Production: Scanline VFX, Los Angeles Head Of Digital Production: Scanline VFX, Los Angeles See fewer |
$110MM
|
$55MM
|
$155MM
|
$475MM
|
$190MM
|
$147MM
|
$353MM
|
$1.52B
|
|
$70MM
|
$3.9MM
|
$8MM
|
$20MM
|
|
The Hunger Games: Mockingjay - Part 1 (2014)
Production Management: Scanline VFX (as Lisa K. Spence) Production Management: Scanline VFX (as Lisa K. Spence) See fewer |
$125MM
|
$122MM
|
$337MM
|
$759MM
|
Captain America: The Winter Soldier (2014)
Production Management: Scanline VFX (as Lisa K. Spence) Production Management: Scanline VFX (as Lisa K. Spence) See fewer |
$170MM
|
$95MM
|
$260MM
|
$714MM
|
The Wolf of Wall Street (2013)
Visual Effects Producer: Scanline VFX (as Lisa K. Spence) Visual Effects Producer: Scanline VFX (as Lisa K. Spence) See fewer |
$100MM
|
$18MM
|
$117MM
|
$407MM
|
Man of Steel (2013)
Visual Effects Production Supervisor: Scanline VFX Visual Effects Production Supervisor: Scanline VFX See fewer |
$225MM
|
$117MM
|
$291MM
|
$670MM
|
Iron Man 3 (2013)
Digital Producer: Scanline VFX (uncredited) Digital Producer: Scanline VFX (uncredited) See fewer |
$200MM
|
$174MM
|
$409MM
|
$1.22B
|
The Avengers (2012)
Senior Digital Producer: Scanline VFX Senior Digital Producer: Scanline VFX See fewer |
$220MM
|
$207MM
|
$623MM
|
$1.52B
|
Battleship (2012)
Senior Digital Producer: Scanline VFX Senior Digital Producer: Scanline VFX See fewer |
$209MM
|
$26MM
|
$65MM
|
$303MM
|
Journey 2: The Mysterious Island (2012)
Visual Effects: Scanline VFX (as Lisa K. Spence) Visual Effects: Scanline VFX (as Lisa K. Spence) See fewer |
$79MM
|
$27MM
|
$104MM
|
$335MM
|
$75MM
|
$32MM
|
$84MM
|
$227MM
|
|
$112MM
|
$6.3MM
|
$43MM
|
$237MM
|
|
$50MM
|
$220K
|
$33MM
|
$107MM
|
|
$45MM
|
$183K
|
$16MM
|
$60MM
|
|
$200MM
|
$65MM
|
$166MM
|
$791MM
|
|
The Mummy: Tomb of the Dragon Emperor (2008)
Digital Producer: Rhythm & Hues (as Lisa K. Spence) Digital Producer: Rhythm & Hues (as Lisa K. Spence) See fewer |
$145MM
|
$40MM
|
$102MM
|
$403MM
|
The Golden Compass (2007)
Production Manager: Rhythm & Hues Production Manager: Rhythm & Hues See fewer |
$180MM
|
$26MM
|
$70MM
|
$372MM
|
Letters from Iwo Jima (2006)
Digital Producer: Digital Domain Digital Producer: Digital Domain See fewer |
$19MM
|
$89K
|
$14MM
|
$69MM
|
Flags of Our Fathers (2006)
Digital Producer: Digital Domain (as Lisa A. Spence) Digital Producer: Digital Domain (as Lisa A. Spence) See fewer |
$90MM
|
$10MM
|
$34MM
|
$66MM
|
$62MM
|
$13MM
|
$26MM
|
$53MM
|
|
Flight of the Phoenix (2004)
Digital Producer: Digital Domain (as Lisa K. Spence) Digital Producer: Digital Domain (as Lisa K. Spence) See fewer |
$45MM
|
$5MM
|
$21MM
|
$35MM
|
$120MM
|
$52MM
|
$145MM
|
$353MM
|
|
$78MM
|
$40MM
|
$103MM
|
$179MM
|
|
$70MM
|
$45MM
|
$142MM
|
$277MM
|
|
The Time Machine (2002)
Digital Production Manager: Digital Domain (as Lisa K. Spence) Digital Production Manager: Digital Domain (as Lisa K. Spence) See fewer |
$80MM
|
$23MM
|
$57MM
|
$124MM
|
Stormrider (2001)
Digital Production Manager: Digital Domain Digital Production Manager: Digital Domain See fewer |
||||
$90MM
|
$5.8MM
|
$14MM
|
$15MM
|
|
What Dreams May Come (1998)
Digital Effects Coordinator: Digital Domain (as Lisa K. Spence) Digital Effects Coordinator: Digital Domain (as Lisa K. Spence) See fewer |
$85MM
|
$16MM
|
$55MM
|
$55MM
|
Armageddon (1998)
Digital Production Manager: Digital Domain Digital Production Manager: Digital Domain See fewer |
$140MM
|
$36MM
|
$202MM
|
$554MM
|
$28MM
|
$72K
|
$5.7MM
|
$5.7MM
|
|
$200MM
|
$29MM
|
$674MM
|
$2.26B
|
|
Red Corner (1997)
Digital Effects Coordinator: Digital Domain (as Lisa Spence Lissak) Digital Effects Coordinator: Digital Domain (as Lisa Spence Lissak) See fewer |
$48MM
|
$7.4MM
|
$22MM
|
$22MM
|
T2 3-D: Battle Across Time (1996)
(Short) - Computer Graphics Coordinator (as Lisa Spence Lissak) Computer Graphics Coordinator (as Lisa Spence Lissak) See fewer |
$60MM
|
| Past Television (1 title) | Episodes |
|---|---|
Stranger Things (2025)
(TV Series) - Vfx Producer: Eyeline (1 episode, 2025), Digital Artist: Eyeline (as Lisa K. Spence) (1 episode, 2025) Vfx Producer: Eyeline (1 episode, 2025), Digital Artist: Eyeline (as Lisa K. Spence) (1 episode, 2025) See fewer
Chapter Five: Shock Jock (Dec
25,
2025)
Season 5,
Episode 5
-
Vfx Producer: Eyeline
Vfx Producer: Eyeline
See fewer
Chapter Four: Sorcerer (Nov
26,
2025)
Season 5,
Episode 4
-
Digital Artist: Eyeline (as Lisa K. Spence)
Digital Artist: Eyeline (as Lisa K. Spence)
See fewer
|
2
|