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Tom Paul (I)
Sound Department, Composer, Music Department
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Credits | |
| 299 titles |
| Films in Production (1 title) | Budget | Status |
|---|---|---|
|
Post-Prod
|
| Television in Production (1 title) | Episodes | Status |
|---|---|---|
|
1
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| Past Film & Video (260 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
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Ryuichi Sakamoto: Opus (2023)
Re-recording Mixer (Film Mixed at Studio Tom Paul in Brooklyn, NY), Sound Designer |
$11K
|
$68K
|
$577K
|
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$15K
|
$131K
|
$178K
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$30K
|
$42K
|
$42K
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$850K
|
|||
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$61K
|
$62K
|
$65K
|
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||||
|
$14K
|
$63K
|
$70K
|
|
|
$41K
|
$108K
|
$1.6MM
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$6K
|
$16K
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$32K
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$2K
|
|||
The Longest Wave (2019)
Lead Sound Designer (Gigantic Studios NY), Re-recording Mixer (Gigantic Studios NY) |
$26K
|
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|
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|
$28K
|
$15K
|
$15K
|
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$150K
|
$368K
|
$368K
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$26K
|
$424K
|
$467K
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$37K
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|||
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$81K
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|||
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$60K
|
|||
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||||
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$13K
|
$117K
|
$963K
|
|
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$4K
|
$7K
|
$9K
|
|
|
||||
|
||||
|
$9K
|
$32K
|
$32K
|
|
|
$2K
|
$12K
|
$12K
|
|
|
||||
|
||||
|
$4K
|
$30K
|
$30K
|
|
|
$14K
|
$128K
|
$228K
|
|
|
$12MM
|
$58K
|
||
|
$5MM
|
$422K
|
$43MM
|
$56MM
|
Just Add Water: The Story of the Amazing Live Sea-Monkeys (2016)
(Short) - Re-recording Mixer, Supervising Sound Editor |
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$397
|
|||
|
€1.2MM
|
|||
|
||||
|
$7K
|
$12K
|
$12K
|
|
|
$85K
|
$2K
|
$2K
|
$2K
|
|
$6K
|
$17K
|
$17K
|
|
|
$1.1MM
|
$21K
|
$21K
|
|
|
||||
|
||||
|
$4K
|
$27K
|
$27K
|
|
|
$84K
|
$1.7MM
|
$1.7MM
|
|
|
$44K
|
$44K
|
||
|
$3K
|
$12K
|
$12K
|
|
|
$75K
|
|||
|
$40K
|
|||
|
$7K
|
$32K
|
$78K
|
|
|
$1.1MM
|
$22K
|
$498K
|
$807K
|
|
||||
|
||||
|
||||
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$534
|
|||
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$1K
|
$4K
|
$4K
|
|
|
$1MM
|
$85K
|
$14MM
|
$15MM
|
|
$8K
|
$30K
|
$31K
|
|
|
||||
|
$44K
|
$1.3MM
|
$1.4MM
|
|
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$16K
|
$704K
|
$1.1MM
|
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|
||||
|
||||
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$15K
|
|||
|
$650K
|
$9K
|
$18K
|
$69K
|
|
||||
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$5MM
|
$843K
|
||
|
||||
|
||||
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$850K
|
|||
|
||||
|
||||
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$14K
|
$181K
|
$181K
|
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$7K
|
$19K
|
$19K
|
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|
||||
|
||||
|
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$21K
|
$21K
|
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|
||||
|
||||
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$54K
|
$870K
|
$870K
|
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|
||||
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|
||||
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$4K
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$117K
|
||
|
||||
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$6K
|
$21K
|
$21K
|
|
|
$13K
|
$94K
|
$94K
|
|
|
$1.5MM
|
$16K
|
$124K
|
$124K
|
|
$6K
|
$23K
|
$23K
|
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|
||||
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||||
|
||||
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$19K
|
$19K
|
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|
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$2MM
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$3K
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$7K
|
$7K
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|
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|
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$6K
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$22K
|
$22K
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$64K
|
$1MM
|
$1.7MM
|
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Damsels in Distress (2011)
Re-recording Mixer, Supervising Sound Editor, Performer ("Things Are Looking Up") |
$59K
|
$1MM
|
$1.3MM
|
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$30K
|
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$348K
|
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Love, Lots of It (2011)
(Short) - Composer (additional music) (uncredited), Sound Designer And Re-recording Mixer |
||||
|
$1.1MM
|
$116K
|
$4.1MM
|
$4.4MM
|
|
$7K
|
|||
|
$29K
|
$69K
|
$124K
|
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|
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|
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|
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$5.5MM
|
$7K
|
$28K
|
$89K
|
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|
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$4MM
|
|||
|
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|
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|
||||
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$1MM
|
$40K
|
$303K
|
$744K
|
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$14K
|
$76K
|
$76K
|
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|
||||
|
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$300K
|
|||
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$13K
|
$18K
|
$18K
|
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$9K
|
$49K
|
$49K
|
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|
||||
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$7K
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$8K
|
$8K
|
|
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$13K
|
$22K
|
$22K
|
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||||
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|
||||
|
||||
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$4K
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$12K
|
$18K
|
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|
||||
|
BRL 7MM
|
$839K
|
||
|
$5K
|
$55K
|
$55K
|
|
|
||||
|
$10K
|
$70K
|
$70K
|
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|
||||
|
||||
|
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$946K
|
$10MM
|
$23MM
|
|
|
||||
|
$502
|
|||
|
||||
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$3.8MM
|
$14K
|
$132K
|
$132K
|
|
||||
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$500K
|
|||
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$37K
|
|||
|
||||
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$5K
|
$17K
|
$17K
|
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|
||||
|
$250K
|
|||
|
$70K
|
|||
|
||||
|
$1K
|
$16K
|
$16K
|
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|
||||
|
$3K
|
$26K
|
$26K
|
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|
||||
|
||||
|
$221K
|
$405K
|
$405K
|
|
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$9K
|
$282K
|
$757K
|
|
|
$37K
|
$182K
|
$182K
|
|
|
||||
|
||||
|
$54K
|
$1.4MM
|
$1.4MM
|
|
|
$1MM
|
$75K
|
$2.7MM
|
$3.4MM
|
|
$57K
|
$553K
|
$810K
|
|
|
$200K
|
$3K
|
$381K
|
$498K
|
|
$4K
|
$62K
|
$62K
|
|
|
||||
|
$15K
|
$3.5MM
|
$3.5MM
|
|
|
|
||||
|
$41K
|
$4.2MM
|
$5MM
|
|
|
$2MM
|
|||
|
$11K
|
$31K
|
$31K
|
|
Broadway: The Golden Age, by the Legends Who Were There (2003)
Final Sound Mix, Sound Effects Editor |
$17K
|
$354K
|
$354K
|
|
|
||||
|
||||
|
$200K
|
$2K
|
$2K
|
$2K
|
Devil's Playground (2002)
Post-production Sound Mixer (The Cottage), Post-production Sound Supervisor (The Cottage) |
||||
|
||||
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||||
|
||||
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|
||||
|
||||
|
$105K
|
$105K
|
||
|
||||
|
$24MM
|
$57K
|
$889K
|
$924K
|
|
$3MM
|
$11K
|
$40K
|
$40K
|
|
||||
|
||||
|
$9K
|
$9K
|
||
|
||||
|
||||
|
$21K
|
$117K
|
$117K
|
|
|
$4MM
|
|||
|
$1.3MM
|
$40K
|
$750K
|
$750K
|
|
||||
|
$1.5MM
|
$11MM
|
$11MM
|
|
|
||||
|
||||
|
$2.3MM
|
$1.1MM
|
$1.1MM
|
|
|
$156K
|
$7.3MM
|
$7.3MM
|
|
|
$120K
|
|||
|
||||
|
||||
|
$1MM
|
$135K
|
$6.9MM
|
$6.9MM
|
|
$250K
|
|||
|
||||
|
$400K
|
$10K
|
$152K
|
$152K
|
|
$6K
|
$16K
|
$16K
|
|
|
||||
|
||||
|
$216K
|
$216K
|
$216K
|
|
|
$700K
|
$356K
|
$357K
|
|
|
| Past Television (35 titles) | Episodes |
|---|---|
Photographer (2024)
(TV Series) - Re-recording Mixer (1 episode, 2024)
Paul Nicklen & Cristina Mittermeier: Win or Die (Mar
18,
2024)
Season 1,
Episode 1
-
Re-recording Mixer
|
1
|
|
1
|
Love Has Won: The Cult of Mother God (2023)
(TV Series) - Re-recording Mixer (3 episodes, 2023), Supervising Sound Editor (2 episodes, 2023), Supervising Sound Designer (1 episode, 2023) |
3
|
|
|
Couples Therapy (2019–2023)
(TV Series) - Re-recording Mixer (27 episodes, 2021), Lead Sound Designer & Re-recording Mixer (9 episodes, 2019) |
36
|
|
4
|
|
|
The Vow (2020–2022)
(TV Series) - Re-recording Mixer (14 episodes, 2020), Sound Designer (1 episode, 2020) |
15
|
The Sons of Sam: A Descent into Darkness (2021)
(TV Mini-series) - Re-recording Mixer (4 episodes, 2021) |
4
|
The Trade (2018–2020)
(TV Mini-series) - Audio Post Production (5 episodes, 2018), Sound Mixer (1 episode, 2020) |
6
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|
|
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4
|
|
15
|
Independent Lens (2004–2015)
(TV Series) - Sound Designer (3 episodes, 2004), Re-recording Mixer (2 episodes, 2004) |
3
|
P.O.V. (2008–2014)
(TV Series) - Re-recording Mixer (3 episodes, 2008), Sound Designer (1 episode, 2014) |
4
|
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|
3
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1
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1
|
Real Sex (1993–2001)
(TV Series) - Segment Sound Mixer (3 episodes, 2000), Sound Recordist (1 episode, 1993) |
4
|
|
|
|
|
|
|
|
|
4
|
|
5
|
| Self (1 title) |
|---|
|
| Other (1 title) |
|---|
|
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