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Kim Lavery (I)
Visual Effects, Additional Crew, Producer
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Credits | |
| 72 titles |
| Projects in Development (1 title) | Budget |
|---|---|
|
| Films in Production (1 title) | Budget | Status |
|---|---|---|
|
Post-Prod
|
| Past Film & Video (62 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
$250MM
|
$118MM
|
$359MM
|
$846MM
|
|
$350MM
|
$134MM
|
$684MM
|
$2.32B
|
|
$170MM
|
$127MM
|
$719MM
|
$1.5B
|
|
$75MM
|
$39MM
|
$74MM
|
$167MM
|
|
$250MM
|
$55MM
|
$161MM
|
$774MM
|
|
$55MM
|
$23MM
|
$42MM
|
$84MM
|
|
$200MM
|
$17MM
|
$47MM
|
$170MM
|
|
$204K
|
$29MM
|
||
|
||||
|
||||
|
$135MM
|
$25MM
|
$62MM
|
$111MM
|
|
$14MM
|
$7MM
|
$15MM
|
$19MM
|
|
$175MM
|
$22MM
|
$77MM
|
$251MM
|
Star Wars: Episode IX - The Rise of Skywalker (2019)
Visual Effects Executive Producer (Gentle Giant Studios) |
$275MM
|
$177MM
|
$515MM
|
$1.08B
|
|
$48MM
|
$8.4MM
|
$18MM
|
$73MM
|
|
$185MM
|
$37MM
|
$114MM
|
$492MM
|
|
||||
|
$32MM
|
|||
|
$100MM
|
$54MM
|
$140MM
|
$368MM
|
|
$115MM
|
|||
|
$170MM
|
$29MM
|
$86MM
|
$405MM
|
|
||||
|
||||
|
$170MM
|
$148MM
|
$418MM
|
$1.31B
|
|
$275MM
|
$84MM
|
$214MM
|
$393MM
|
|
$40MM
|
$9.2MM
|
$41MM
|
$104MM
|
|
$85MM
|
$34MM
|
$128MM
|
$340MM
|
|
$30MM
|
$16MM
|
$40MM
|
$76MM
|
|
$17MM
|
$23MM
|
$82MM
|
$138MM
|
|
||||
|
$210MM
|
$103MM
|
$234MM
|
$460MM
|
|
$207MM
|
$50MM
|
$218MM
|
$557MM
|
|
$40MM
|
$10MM
|
$21MM
|
$47MM
|
|
$80MM
|
$9.3MM
|
$21MM
|
$69MM
|
|
$78MM
|
$23MM
|
$66MM
|
$179MM
|
|
$200MM
|
$44MM
|
$150MM
|
$433MM
|
|
$20MM
|
$542K
|
$1.2MM
|
$5.4MM
|
|
$12MM
|
$206K
|
$26MM
|
$56MM
|
|
$102MM
|
$36MM
|
$132MM
|
$358MM
|
|
$42MM
|
$6.4MM
|
$17MM
|
$35MM
|
|
$60MM
|
$22MM
|
$93MM
|
$201MM
|
|
$100K
|
|||
|
$45MM
|
$7.2MM
|
$15MM
|
$34MM
|
|
$93MM
|
$40MM
|
$125MM
|
$264MM
|
|
$17MM
|
$663K
|
$129MM
|
$214MM
|
|
$73MM
|
$12MM
|
$21MM
|
$30MM
|
From Dusk Till Dawn 3: The Hangman's Daughter (1999)
(Video) - Visual Effects Producer (Threshold Digital Research Labs) |
$5MM
|
$10K
|
||
|
$10MM
|
$185K
|
$292K
|
$292K
|
|
$10MM
|
$8.7MM
|
$31MM
|
$31MM
|
|
$3.5MM
|
$103K
|
||
|
$65MM
|
$17MM
|
$40MM
|
$40MM
|
|
$15MM
|
$12MM
|
$40MM
|
$40MM
|
|
$18MM
|
$23MM
|
$70MM
|
$122MM
|
|
$25MM
|
$12MM
|
$32MM
|
$48MM
|
|
$40MM
|
$31MM
|
$83MM
|
$216MM
|
|
$15MM
|
$1.2MM
|
$2.8MM
|
$2.8MM
|
|
$20MM
|
$18MM
|
$122MM
|
$183MM
|
|
$70MM
|
$14MM
|
$120MM
|
$301MM
|
|
$35MM
|
$9.6MM
|
$47MM
|
$47MM
|
|
$27MM
|
$13MM
|
$124MM
|
$179MM
|
|
$35MM
|
$5.1MM
|
$24MM
|
$24MM
|
|
$70MM
|
$22MM
|
$118MM
|
$240MM
|
| Past Television (8 titles) | Episodes |
|---|---|
Star Trek: Discovery (2020)
(TV Series) - Visual Effects Executive Producer (Gentle Giant Studios) (1 episode, 2020)
That Hope Is You, Part 1 (Oct
15,
2020)
Season 3,
Episode 1
-
Visual Effects Executive Producer (Gentle Giant Studios)
|
1
|
The Mandalorian (2019)
(TV Series) - Visual Effects Executive Producer (Gentle Giant Studios) (8 episodes, 2019)
Chapter 8: Redemption (Dec
27,
2019)
Season 1,
Episode 8
-
Visual Effects Executive Producer (Gentle Giant Studios)
|
8
|
|
|
Dinosaur Revolution (2011)
(TV Series) - Visual Effects Producer (Sauce F/X Studios) (4 episodes, 2011)
End Game (Sep
13,
2011)
Season 1,
Episode 4
-
Visual Effects Producer (Sauce F/X Studios) (credit only)
|
4
|
|
2
|
Known Universe (2010)
(TV Series) - Visual Effects Artist (2 episodes, 2010), Visual Effects Producer (2 episodes, 2010) |
4
|
|
|
|
1
|
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