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Paul Hsu (I)
Sound Department, Composer, Music Department
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Credits | |
| 230 titles |
| Films in Production (1 title) | Budget | Status |
|---|---|---|
|
$150MM
|
Post-Prod
|
| Past Film & Video (205 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
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$60K
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$85MM
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$32MM
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$47K
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$794K
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$806K
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$200MM
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$23MM
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$68MM
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$159MM
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$355MM
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$96MM
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$298MM
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$570MM
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$35MM
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$320K
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$8.2MM
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$12MM
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$366K
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$55MM
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$113K
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$17K
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$293K
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$293K
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$55MM
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$8.8MM
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$24MM
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$33MM
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$5.2MM
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$14MM
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$20MM
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$29MM
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$1.4MM
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$3.1MM
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$4.3MM
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||||
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£400K
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|||
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$900K
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$2.6MM
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$3.2MM
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$4K
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$4K
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$2.4MM
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|
Summer of Soul (...Or, When the Revolution Could Not Be Televised) (2021)
Re-recording Mixer (CS Inc., NYC) |
$802K
|
$2.3MM
|
$3.7MM
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$0
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|||
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$259K
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$85MM
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|||
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||||
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$16MM
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$12MM
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$21MM
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$21MM
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||||
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$20MM
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$31K
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||
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$45MM
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|||
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$26MM
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$3.5MM
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$9.3MM
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$19MM
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$1K
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|||
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$1.2MM
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$331K
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$331K
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$25MM
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$3.1MM
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$6MM
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$8.8MM
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$120MM
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$20MM
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$55MM
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$174MM
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$70MM
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$42MM
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$140MM
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$298MM
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$3K
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$9K
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$10K
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||||
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$2MM
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|||
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||||
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$35K
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$150K
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$154K
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$10MM
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$364K
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$49MM
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$79MM
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$50MM
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$17MM
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$51MM
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$135MM
|
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$54K
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$624K
|
$2.6MM
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$13K
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$85K
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$386K
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||||
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$5K
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$25K
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$25K
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$7MM
|
$446K
|
$25MM
|
$43MM
|
|
||||
|
$90MM
|
$4.1MM
|
$8.2MM
|
$12MM
|
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$50MM
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$7.6MM
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$21MM
|
$25MM
|
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$1.2MM
|
$2.7MM
|
$2.7MM
|
|
|
$30K
|
$165K
|
$168K
|
|
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$16MM
|
$9K
|
$33K
|
$2.1MM
|
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$20MM
|
$295K
|
$45MM
|
$99MM
|
|
||||
|
$1MM
|
$7K
|
$63K
|
$63K
|
|
$800K
|
$26K
|
$135K
|
$144K
|
|
$93K
|
$2.5MM
|
$3.3MM
|
|
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$89K
|
$819K
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$3.2MM
|
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|
||||
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$162K
|
$353K
|
$721K
|
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$942K
|
$2.5MM
|
$5.2MM
|
|
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$9K
|
$11K
|
$895K
|
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$10MM
|
$228K
|
$7.6MM
|
$18MM
|
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$25MM
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$12MM
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$45MM
|
$67MM
|
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$1.4MM
|
|||
|
$10K
|
$30K
|
$30K
|
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$24MM
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$271K
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$12MM
|
$19MM
|
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$7K
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$126K
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$322K
|
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$6MM
|
$484K
|
$3.6MM
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$5.7MM
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$1MM
|
$21K
|
$170K
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$414K
|
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$88K
|
$139K
|
$253K
|
|
|
||||
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$13MM
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$6.2MM
|
$18MM
|
$19MM
|
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$21K
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$200K
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$200K
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||||
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$35K
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$343K
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$343K
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$500K
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$14K
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$153K
|
$153K
|
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$120MM
|
$22MM
|
$125MM
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$609MM
|
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$10MM
|
$124K
|
$1.4MM
|
$3.4MM
|
|
$694K
|
$1.4MM
|
$2.1MM
|
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$137K
|
$4.1MM
|
$9MM
|
|
|
||||
|
$35MM
|
$6MM
|
$20MM
|
$31MM
|
|
||||
|
||||
|
$11K
|
$42K
|
$297K
|
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$44K
|
$540K
|
$983K
|
|
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$40K
|
$339K
|
$339K
|
|
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$2.5MM
|
$36K
|
$3.3MM
|
$4.8MM
|
|
||||
|
||||
|
$75MM
|
$24MM
|
$78MM
|
$153MM
|
|
||||
|
$14MM
|
$8K
|
$46K
|
$469K
|
|
||||
|
||||
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$3K
|
|||
|
||||
|
||||
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$6K
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$62K
|
$62K
|
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$15MM
|
$18K
|
$31K
|
$1.1MM
|
|
$184K
|
$790K
|
$790K
|
|
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$4MM
|
$8K
|
$8K
|
$660K
|
|
$150K
|
$10MM
|
$12MM
|
|
Beastie Boys: Fight for Your Right Revisited (2011)
(Short) - Re-recording Mixer, Performer ("Piano Sonata No. 4, Opus 7") |
||||
|
$10K
|
|||
|
||||
|
$110MM
|
$36MM
|
$118MM
|
$294MM
|
|
$8MM
|
$2MM
|
$6.4MM
|
$6.5MM
|
|
||||
|
||||
|
$34K
|
$1.5MM
|
$2MM
|
|
|
$118K
|
$4.2MM
|
$6.3MM
|
|
|
$4.5MM
|
$46K
|
$107K
|
$191K
|
|
$77K
|
$104K
|
$5.8MM
|
|
|
$764K
|
|||
|
$17MM
|
$130K
|
$9.5MM
|
$16MM
|
Fighting (2009)
Supervising Sound Editor, Performer ("South of the Border"), Writer ("South of the Border") |
$11MM
|
$23MM
|
$32MM
|
|
|
||||
|
||||
|
$322K
|
|||
|
$2MM
|
$22K
|
$32K
|
$32K
|
Tokyo! (2008)
Re-recording Mixer (segments: Interior Design), Supervising Sound Editor (segments: Interior Design) |
$23K
|
$351K
|
$1.2MM
|
|
|
$20K
|
$51K
|
$51K
|
|
|
$20MM
|
$4.1MM
|
$11MM
|
$31MM
|
The Yellow Handkerchief (2008)
Re-recording Mixer, Supervising Sound Editor, Performer ("Geraldine"), Writer ("Geraldine") |
$16MM
|
$37K
|
$319K
|
$319K
|
|
$8.6MM
|
$5.9MM
|
$14MM
|
$33MM
|
|
$4MM
|
$86K
|
$9.4MM
|
$18MM
|
|
$3.8MM
|
$14K
|
$132K
|
$132K
|
|
$1MM
|
|||
|
$5MM
|
$8K
|
$33K
|
$98K
|
|
$22K
|
$301K
|
$301K
|
|
|
||||
|
$17MM
|
$29K
|
$223K
|
$2.3MM
|
|
$28MM
|
$6MM
|
$14MM
|
$17MM
|
|
||||
|
|
||||
|
SGD 800K
|
$756
|
||
|
$95K
|
$518K
|
$2MM
|
|
|
$18K
|
$163K
|
$178K
|
|
|
$11K
|
$123K
|
$123K
|
|
|
$4MM
|
$3.6MM
|
$7.8MM
|
$11MM
|
|
$400K
|
$11K
|
$96K
|
$119K
|
|
$103K
|
$371K
|
$520K
|
|
|
$16MM
|
$3.7MM
|
$9MM
|
$10MM
|
|
$157K
|
|||
|
|
||||
|
$4K
|
$5K
|
$5K
|
|
|
|
||||
|
$6K
|
$35K
|
$35K
|
|
The Door in the Floor (2004)
Re-recording Mixer, Supervising Sound Editor, Performer ("Overdrive", "Dubsonix" (Bass and Drum Remix)), Writer ("Overdrive", "Dubsonix" (Bass and Drum Remix)) |
$7.5MM
|
$457K
|
$3.9MM
|
$6.7MM
|
|
$600K
|
|||
|
$35MM
|
$13MM
|
$40MM
|
$77MM
|
|
$5K
|
$16K
|
$16K
|
|
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$137MM
|
$62MM
|
$132MM
|
$245MM
|
|
|
||||
|
$3K
|
$3K
|
$3K
|
|
|
$500K
|
$14K
|
$49K
|
$49K
|
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$31K
|
$226K
|
$226K
|
|
|
$500K
|
$58K
|
$5.7MM
|
$8.7MM
|
|
|
||||
|
$140MM
|
$52MM
|
$194MM
|
$445MM
|
|
||||
|
||||
|
||||
|
$656
|
$1K
|
$1K
|
|
|
||||
|
||||
|
||||
|
|
||||
|
||||
|
$1MM
|
|||
|
$11K
|
$257K
|
$257K
|
|
|
||||
|
||||
|
$2MM
|
$13K
|
$101K
|
$101K
|
|
||||
|
$700K
|
$5K
|
$872K
|
$872K
|
|
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$54K
|
$534K
|
$534K
|
|
|
$26K
|
$53K
|
$53K
|
|
|
$24K
|
$199K
|
$199K
|
|
|
$500K
|
$232K
|
$376K
|
$376K
|
|
|
||||
|
||||
|
||||
|
||||
|
|
||||
|
$80K
|
$80K
|
||
|
||||
|
|
||||
|
||||
|
||||
|
$800K
|
$4.6MM
|
$4.6MM
|
| Past Television (22 titles) | Episodes |
|---|---|
|
3
|
|
4
|
|
|
NYC Epicenters 9/11-2021½ (2021)
(TV Mini-series) - Re-recording Mixer (3 episodes, 2021), Supervising Sound Editor (2 episodes, 2021), Re-recording Sound Editor (1 episode, 2021) |
3
|
|
19
|
|
4
|
|
10
|
|
5
|
P.O.V. (2005–2015)
(TV Series) - Re-recording Mixer (2 episodes, 2005), Sound Designer (1 episode, 2011), Music Mixer (1 episode, 2015) |
3
|
|
|
|
1
|
Tell Them Anything You Want: A Portrait of Maurice Sendak (2009)
(TV Movie) - Re-recording Mixer, Performer ("Clair De Lune") |
|
The Hill (2006)
(TV Series) - Supervising Sound Editor (1 episode, 2006), Re-recording Mixer (1 episode, 2006)
It's Time to Be Mad as Hell (Sep
27,
2006)
Season 1,
Episode 6
-
Re-recording Mixer,
Supervising Sound Editor
|
1
|
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|
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|
1
|
American Masters (1998–1999)
(TV Series) - Sound Editor (2 episodes, 1998)
Ella Fitzgerald: Something to Live For (Dec
8,
1999)
Season 14,
Episode 3
-
Sound Editor (as Paul D. Hsu)
|
2
|
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|
|
|
|
1
|
| Self (1 title) |
|---|
|
| Other (1 title) |
|---|
|
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