Past Film & Video
(32 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
|
$83MM
|
|
|
|
|
$90MM
|
|
|
|
|
$250MM
|
$144MM
|
$343MM
|
$761MM
|
|
$120MM
|
$44MM
|
$149MM
|
$407MM
|
|
$165MM
|
$41MM
|
$109MM
|
$408MM
|
|
$50MM
|
|
|
|
|
|
|
|
|
|
$200MM
|
$60MM
|
$174MM
|
$761MM
|
|
$110MM
|
$30MM
|
$80MM
|
$254MM
|
|
$170MM
|
$29MM
|
$86MM
|
$405MM
|
|
$42MM
|
$7.4MM
|
$31MM
|
$40MM
|
|
$59MM
|
$16MM
|
$45MM
|
$106MM
|
|
$162MM
|
$76MM
|
$217MM
|
$623MM
|
|
$110MM
|
$126MM
|
$325MM
|
$786MM
|
|
$200MM
|
$202MM
|
$700MM
|
$1.35B
|
|
$100MM
|
$40MM
|
$85MM
|
$142MM
|
|
$165MM
|
$41MM
|
$103MM
|
$390MM
|
Pan (2015)
Senior Compositor (Scanline VFX)
Senior Compositor (Scanline VFX)
See fewer
|
$150MM
|
$15MM
|
$35MM
|
$129MM
|
San Andreas (2015)
Compositor (Scanline VFX),
Senior Compositor (Scanline VFX)
Compositor (Scanline VFX),
Senior Compositor (Scanline VFX)
See fewer
|
$110MM
|
$55MM
|
$155MM
|
$475MM
|
|
$100MM
|
$10MM
|
$23MM
|
$118MM
|
The Signal (2014)
Lead Digital Compositor (Spin VFX)
Lead Digital Compositor (Spin VFX)
See fewer
|
$4MM
|
$156K
|
$601K
|
$2.6MM
|
|
$9MM
|
$94K
|
$6.3MM
|
$14MM
|
|
$195MM
|
$27MM
|
$65MM
|
$198MM
|
|
$120MM
|
$141MM
|
$292MM
|
$849MM
|
|
$65MM
|
$21MM
|
$42MM
|
$240MM
|
|
$69MM
|
$16MM
|
$38MM
|
$116MM
|
|
$30MM
|
$3MM
|
$21MM
|
$65MM
|
In Time (2011)
Digital Compositor (Soho vfx)
Digital Compositor (Soho vfx)
See fewer
|
$40MM
|
$12MM
|
$38MM
|
$174MM
|
|
$40MM
|
$18MM
|
$43MM
|
$158MM
|
|
$42MM
|
$14MM
|
$38MM
|
$90MM
|
|
$32MM
|
$16MM
|
$38MM
|
$83MM
|
Detective Mark Waters (2009)
(Short)
-
Director Of Photography,
Lead Effects Artist,
Visual Effects Supervisor
Director Of Photography,
Lead Effects Artist,
Visual Effects Supervisor
See fewer
|
|
|
|
|