Past Film & Video
(46 titles)
|
Budget
| Opening Weekend
| Gross
(US & Canada)
| Gross (Worldwide)
|
|
$85MM
|
|
|
|
Fast X (2023)
Postvis And Compositing (Proof, Inc.)
Postvis And Compositing (Proof, Inc.)
See fewer
|
$340MM
|
$67MM
|
$146MM
|
$705MM
|
Disenchanted (2022)
Visualization Artist (The Third Floor)
Visualization Artist (The Third Floor)
See fewer
|
|
|
|
|
|
$185MM
|
$26MM
|
$56MM
|
$169MM
|
|
$200MM
|
$70MM
|
$173MM
|
$726MM
|
|
$135MM
|
$25MM
|
$62MM
|
$111MM
|
Underwater (2020)
Postvisualization Artist (Proof, Inc)
Postvisualization Artist (Proof, Inc)
See fewer
|
$80MM
|
$7MM
|
$17MM
|
$41MM
|
Frozen II (2019)
Stereo Layout Artist (Walt Disney Feature Animation)
Stereo Layout Artist (Walt Disney Feature Animation)
See fewer
|
$150MM
|
$130MM
|
$477MM
|
$1.45B
|
|
$75MM
|
$57MM
|
$171MM
|
$328MM
|
Aquaman (2018)
Postvisualization Artist (Proof, Inc)
Postvisualization Artist (Proof, Inc)
See fewer
|
$160MM
|
$68MM
|
$335MM
|
$1.15B
|
|
$50MM
|
$36MM
|
$116MM
|
$214MM
|
|
$51MM
|
$10MM
|
$36MM
|
$100MM
|
|
$100MM
|
$33MM
|
$100MM
|
$133MM
|
|
$62MM
|
$24MM
|
$58MM
|
$288MM
|
|
$250MM
|
$99MM
|
$226MM
|
$1.24B
|
|
$35MM
|
$14MM
|
$30MM
|
$81MM
|
Suicide Squad (2016)
Previs/postvis Artist (The Third Floor)
Previs/postvis Artist (The Third Floor)
See fewer
|
$175MM
|
$134MM
|
$325MM
|
$749MM
|
|
$175MM
|
$103MM
|
$364MM
|
$968MM
|
|
$125MM
|
$66MM
|
$191MM
|
$485MM
|
Noah (2014)
Tracking & Layout (Look Effects, Inc.)
Tracking & Layout (Look Effects, Inc.)
See fewer
|
$125MM
|
$44MM
|
$101MM
|
$359MM
|
|
|
|
|
|
|
$150MM
|
$25MM
|
$73MM
|
$205MM
|
Man of Steel (2013)
Digital Artist (Scanline VFX) (as Joanna Goslicka)
Digital Artist (Scanline VFX) (as Joanna Goslicka)
See fewer
|
$225MM
|
$117MM
|
$291MM
|
$670MM
|
|
$190MM
|
$70MM
|
$229MM
|
$467MM
|
|
$130MM
|
$28MM
|
$61MM
|
$244MM
|
Oblivion (2013)
Matchmove Artist (Pixomondo) (as Joanna Goslicka)
Matchmove Artist (Pixomondo) (as Joanna Goslicka)
See fewer
|
$120MM
|
$37MM
|
$89MM
|
$286MM
|
|
$220MM
|
$207MM
|
$623MM
|
$1.52B
|
Battleship (2012)
Digital Artist (Scanline VFX) (as Joanna Goslicka)
Digital Artist (Scanline VFX) (as Joanna Goslicka)
See fewer
|
$209MM
|
$26MM
|
$65MM
|
$303MM
|
|
$79MM
|
$27MM
|
$104MM
|
$335MM
|
|
$163MM
|
$36MM
|
$100MM
|
$175MM
|
|
$195MM
|
$98MM
|
$352MM
|
$1.12B
|
Super 8 (2011)
Matchmove Lead (Scanline VFX) (uncredited)
Matchmove Lead (Scanline VFX) (uncredited)
See fewer
|
$50MM
|
$35MM
|
$127MM
|
$260MM
|
Hereafter (2010)
Digital Artist (Scanline VFX) (as Joanna Goslicka)
Digital Artist (Scanline VFX) (as Joanna Goslicka)
See fewer
|
$50MM
|
$220K
|
$33MM
|
$107MM
|
|
$200MM
|
$116MM
|
$334MM
|
$1.03B
|
The Box (2009)
Matchmove Artist (Gradient Effects) (as Joanna Goslicka),
Tracking Artist
Matchmove Artist (Gradient Effects) (as Joanna Goslicka),
Tracking Artist
See fewer
|
$30MM
|
$7.6MM
|
$15MM
|
$33MM
|
|
$38MM
|
$28MM
|
$89MM
|
$206MM
|
|
$150MM
|
$27MM
|
$128MM
|
$336MM
|
|
$60MM
|
$44MM
|
$217MM
|
$365MM
|
|
$180MM
|
$26MM
|
$70MM
|
$372MM
|
We Own the Night (2007)
Digital Rotoscope/paint Artist (Digital Domain) (as Joanna Goslicka)
Digital Rotoscope/paint Artist (Digital Domain) (as Joanna Goslicka)
See fewer
|
$21MM
|
$11MM
|
$29MM
|
$55MM
|
|
$300MM
|
$115MM
|
$309MM
|
$962MM
|
|
$85MM
|
$11MM
|
$83MM
|
$149MM
|
|
$60MM
|
$7.3MM
|
$28MM
|
$143MM
|
|
$85MM
|
$24MM
|
$63MM
|
$159MM
|
|
|
|
|
$220K
|
Garfield: The Movie (2004)
Pipeline Technical Support (Rhythm & Hues) (as Jo Goslicka)
Pipeline Technical Support (Rhythm & Hues) (as Jo Goslicka)
See fewer
|
$50MM
|
$22MM
|
$75MM
|
$203MM
|