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Diane Wright (II)
Visual Effects, Additional Crew, Animation Department
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Credits | |
| 62 titles |
| Past Film & Video (58 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
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|
$250K
|
|||
|
$20MM
|
$2.8MM
|
$6.5MM
|
$18MM
|
|
$500K
|
$11K
|
$11K
|
|
|
$200K
|
$41K
|
$215K
|
$215K
|
|
$5MM
|
$9K
|
||
|
$625K
|
|||
|
$65MM
|
$9.6MM
|
$32MM
|
$69MM
|
|
$11MM
|
$33MM
|
$42MM
|
|
|
$59K
|
$114K
|
$2.9MM
|
|
|
$17MM
|
$1.6MM
|
$2.6MM
|
$11MM
|
|
$10MM
|
$21MM
|
$27MM
|
|
|
€8MM
|
$250K
|
||
|
$5MM
|
|||
|
$15MM
|
$7.7MM
|
$21MM
|
$22MM
|
|
$80K
|
|||
|
$3.2MM
|
$7.6MM
|
$8.1MM
|
|
|
$12MM
|
$372K
|
$5.5MM
|
$5.9MM
|
|
$30MM
|
$13MM
|
$41MM
|
$54MM
|
|
$12MM
|
$10MM
|
$28MM
|
$43MM
|
The Black Dahlia (2006)
Digital Asset Manager (Laser Pacific), Producer (end credit animation, Steve Wright Digital FX) |
$50MM
|
$10MM
|
$23MM
|
$49MM
|
|
$5MM
|
$10MM
|
$24MM
|
$27MM
|
|
$25MM
|
$389K
|
$34MM
|
$135MM
|
|
$17MM
|
$117K
|
$275K
|
$375K
|
|
$8MM
|
$15K
|
$215K
|
$574K
|
|
$9.5MM
|
$21MM
|
$21MM
|
|
|
$3.2MM
|
|||
Big Momma's House 2 (2006)
Digital Asset Manager (Laser Pacific), Producer (french canadian titles, Steve Wright Digital FX) |
$40MM
|
$28MM
|
$70MM
|
$142MM
|
The Woods (2006)
Digital Compositor (LaserPacific), Visual Effects Coordinator (Cinesite/Laser Pacific) (uncredited) |
$12MM
|
|||
Stay (2005)
Digital Asset Manager (Cinesite/Laser Pacific), Producer (french canadian titles, Steve Wright Digital FX) |
$50MM
|
$2.2MM
|
$3.6MM
|
$8.5MM
|
|
$50MM
|
$7.1MM
|
$19MM
|
$46MM
|
|
$143K
|
$1.4MM
|
$1.8MM
|
|
|
$15MM
|
$4.8MM
|
$7.7MM
|
$12MM
|
|
$2MM
|
$2MM
|
$3.3MM
|
$6MM
|
|
$12MM
|
$870K
|
$995K
|
|
|
$12MM
|
$69K
|
$13MM
|
$17MM
|
|
$3.1MM
|
|||
Blade: Trinity (2004)
Digital Asset Manager (Cinesite/Laser Pacific), Digital Visual Effects Coordinator (Cinesite/Laser Pacific) |
$65MM
|
$16MM
|
$52MM
|
$132MM
|
Ray (2004)
Digital Asset Manager (Cinesite) (uncredited), Digital Visual Effects Coordinator (Cinesite) (uncredited) |
$40MM
|
$20MM
|
$75MM
|
$124MM
|
|
$20MM
|
$6.1MM
|
$16MM
|
$17MM
|
Barbershop 2: Back in Business (2004)
Digital Asset Manager (Cinesite), Digital Visual Effects Coordinator (Cinesite) |
$30MM
|
$24MM
|
$65MM
|
$66MM
|
Never Die Alone (2004)
Digital Asset Manager (Cinesite), Digital Visual Effects Coordinator (Cinesite) |
$3MM
|
$3.1MM
|
$5.6MM
|
$5.9MM
|
|
||||
|
||||
Mortal Kombat: The Journey Begins (1995)
(Video) - Digital Visual Effects Producer (Steve Wright Digital FX) (uncredited) |
||||
The Pagemaster (1994)
Production Manager (digital ink & paint, Sidley Wright & Associates) (uncredited) |
$27MM
|
$4.2MM
|
$14MM
|
$14MM
|
|
$1.7MM
|
$4.4MM
|
$4.4MM
|
|
We're Back! A Dinosaur's Story (1993)
Production Manager (digital ink & paint, Sidley Wright & Associates) (uncredited) |
$3.7MM
|
$9.3MM
|
$9.3MM
|
|
|
$258K
|
$395K
|
$395K
|
|
|
$25MM
|
$1.1MM
|
$2.4MM
|
$2.4MM
|
|
$30MM
|
$7.1MM
|
$21MM
|
$21MM
|
|
$3MM
|
|||
|
$3MM
|
$8.4MM
|
$8.4MM
|
|
|
$24MM
|
$3.5MM
|
$25MM
|
$33MM
|
|
$29MM
|
$29MM
|
||
The Computer Wore Tennis Shoes (1969)
Digital Asset Manager Remastering (Laser Pacific) (uncredited) |
||||
|
||||
|
| Past Television (4 titles) | Episodes |
|---|---|
|
1
|
The Offer (2022)
(TV Mini-series) - I/o Manager (Steve Wright Digital FX) (2 episodes, 2022)
It's Who We Are (Jun
9,
2022)
Season 1,
Episode 9
-
I/o Manager (Steve Wright Digital FX) (uncredited)
A Stand Up Guy (May
19,
2022)
Season 1,
Episode 6
-
I/o Manager (Steve Wright Digital FX) (uncredited)
|
2
|
|
|
|
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