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Christopher Balog
Visual Effects
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Credits | |
| 36 titles |
| Past Film & Video (32 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
$150MM
|
$31MM
|
$71MM
|
$164MM
|
|
$48MM
|
$160MM
|
$297MM
|
|
|
$20MM
|
$71MM
|
$175MM
|
$256MM
|
|
$135MM
|
$22MM
|
$127MM
|
$468MM
|
A Quiet Place (2018)
Digital Compositing Supervisor (ILM), Visual Effects Layout On-set Supervisor (ILM) |
$17MM
|
$50MM
|
$188MM
|
$341MM
|
|
$119K
|
$500K
|
$511K
|
|
|
$317MM
|
$220MM
|
$620MM
|
$1.33B
|
|
$180MM
|
$123MM
|
$315MM
|
$855MM
|
|
$185MM
|
$61MM
|
$168MM
|
$569MM
|
|
$110MM
|
$20MM
|
$61MM
|
$122MM
|
|
$250MM
|
$179MM
|
$408MM
|
$1.16B
|
|
$245MM
|
$248MM
|
$937MM
|
$2.07B
|
|
$130MM
|
$57MM
|
$180MM
|
$519MM
|
|
$250MM
|
$191MM
|
$459MM
|
$1.41B
|
|
$210MM
|
$100MM
|
$245MM
|
$1.1B
|
|
$125MM
|
$44MM
|
$101MM
|
$359MM
|
|
$190MM
|
$37MM
|
$102MM
|
$411MM
|
|
$220MM
|
$207MM
|
$623MM
|
$1.52B
|
|
$58MM
|
$19MM
|
$50MM
|
$50MM
|
|
$195MM
|
$98MM
|
$352MM
|
$1.12B
|
|
$135MM
|
$38MM
|
$123MM
|
$246MM
|
|
$200MM
|
$128MM
|
$312MM
|
$624MM
|
|
$200MM
|
$109MM
|
$402MM
|
$836MM
|
|
$150MM
|
$75MM
|
$258MM
|
$386MM
|
|
$140MM
|
$99MM
|
$319MM
|
$586MM
|
|
$35MM
|
$6.7MM
|
$15MM
|
$65MM
|
|
$140MM
|
$50MM
|
$140MM
|
$258MM
|
|
$300MM
|
$115MM
|
$309MM
|
$962MM
|
|
$160MM
|
$22MM
|
$61MM
|
$182MM
|
|
$150MM
|
$48MM
|
$134MM
|
$398MM
|
|
$70MM
|
$4.2MM
|
$47MM
|
$131MM
|
|
$150MM
|
$103MM
|
$290MM
|
$897MM
|
| Past Television (3 titles) | Episodes |
|---|---|
Obi-Wan Kenobi (2022)
(TV Mini-series) - Associate Visual Effects Supervisor (6 episodes, 2022), Virtual Production Supervisor (6 episodes, 2022)
Part VI (Jun
22,
2022)
Season 1,
Episode 6
-
Associate Visual Effects Supervisor,
Virtual Production Supervisor
|
6
|
|
7
|
The Mandalorian (2019–2020)
(TV Series) - Visual Effects Artist (16 episodes, 2019), Compositor (1 episode, 2020) |
16
|
| Other (1 title) |
|---|
Chicken Little: The Video Game (2005)
(Video Game) - Digital Resource Assistant (Industrial Light & Magic) |
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