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Pete Smith (XVII)
Sound Department, Music Department, Camera and Electrical Department
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Credits | |
| 188 titles |
| Projects in Development (1 title) | Budget |
|---|---|
|
| Past Film & Video (153 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
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$1.2MM
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AUD 25MM
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$1.8MM
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$4.6MM
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$6.5MM
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$17K
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$47K
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$154K
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$154K
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$19K
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$2.8MM
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$9.3MM
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$10MM
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$398K
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$4.5MM
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$10MM
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$48MM
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$92MM
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AUD 640K
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$12K
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$15K
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$367K
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$557K
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$558K
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AUD 50K
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£100K
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$43MM
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$3.5MM
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$9.6MM
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$16MM
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$9.8MM
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$96K
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$315K
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$1.9MM
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$348K
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$385K
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$1.1MM
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$3.7MM
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$489K
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$5MM
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$644K
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||
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$88K
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$9.7MM
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$21MM
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$2MM
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$36K
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$400K
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$989K
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$3.5MM
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$9.3MM
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$25MM
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$44MM
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AUD 3MM
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|||
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$928K
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||||
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$904K
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$629K
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$1.2MM
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$4MM
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$5MM
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$11MM
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$11MM
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$915K
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|||
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$30MM
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$310K
|
$491K
|
$3.8MM
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AUD 980K
|
|||
A Month of Sundays (2015)
Dialogue Editor (as Peter D. Smith), Re-recording Mixer (as Peter D. Smith) |
$654K
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$250MM
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$55MM
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$255MM
|
$962MM
|
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NZD 3.5MM
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$8K
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$68K
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$1.9MM
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$11MM
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$205K
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$31MM
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$50MM
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||||
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$2MM
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$30K
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$964K
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$10MM
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$125K
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$7.2MM
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$4.4MM
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||
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$190MM
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$66MM
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$203MM
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$540MM
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$105MM
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$50MM
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$145MM
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$354MM
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$83K
|
|||
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$61MM
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$27MM
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$149MM
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$443MM
|
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$180MM
|
$85MM
|
$303MM
|
$1.02B
|
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$1MM
|
$3.3MM
|
$15MM
|
|
|
$3K
|
$6K
|
$6K
|
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$10MM
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$38K
|
$2.5MM
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$20MM
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$135MM
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$21MM
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$64MM
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$159MM
|
The Adventures of Tintin (2011)
Foley Mixer/recordist (Park Road Post Production) (as Peter D. Smith) |
$135MM
|
$9.7MM
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$78MM
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$374MM
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$70MM
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$9.4MM
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$25MM
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$57MM
|
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$3K
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$3K
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$3K
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$4.9MM
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|||
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$7K
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$80MM
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$16MM
|
$56MM
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$140MM
|
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$768K
|
|||
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||||
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$9K
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$21K
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$324K
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$9K
|
|||
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AUD 2MM
|
$9K
|
||
Closed for Winter (2009)
Dialogue Editor (as Peter D. Smith), Re-recording Mixer (as Peter D. Smith) |
$14K
|
|||
The Cat Piano (2009)
(Short) - Re-recording Mixer (as Peter D. Smith), Sound Mixer (as Peter D. Smith) |
AUD 50K
|
|||
|
$38K
|
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My Year Without Sex (2009)
Dialogue Editor (as Peter D. Smith), Re-recording Mixer (as Peter D. Smith) |
AUD 4MM
|
$528
|
$3K
|
$805K
|
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$10MM
|
$13K
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$70K
|
$2.3MM
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AUD 1.2MM
|
$151K
|
||
|
AUD 27MM
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$8K
|
$10K
|
$4.6MM
|
Glass (2007)
Music Editor (as Peter D. Smith), Dialogue Editor (as Peter D. Smith), Re-recording Mixer (as Peter D. Smith) |
$6K
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$20K
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$32K
|
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AUD 225K
|
|||
|
AUD 174K
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$2K
|
||
|
AUD 3.1MM
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$572K
|
||
|
$1.5MM
|
|||
|
$4K
|
$69K
|
$6.7MM
|
|
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$8MM
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$887K
|
||
|
AUD 7.4MM
|
|||
|
||||
|
AUD 1.4MM
|
$194K
|
||
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$4K
|
$105K
|
$2.6MM
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$1MM
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$2.8MM
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$16MM
|
$31MM
|
|
$145K
|
|||
|
AUD 5.5MM
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$215K
|
||
|
$20MM
|
$13MM
|
$32MM
|
$71MM
|
|
$660K
|
|||
|
$22K
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$92K
|
$1.5MM
|
|
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$71K
|
|||
|
$5.7MM
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$24K
|
$647K
|
$4.1MM
|
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AUD 18MM
|
|||
|
AUD 10MM
|
|||
|
$25K
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$55K
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$791K
|
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$986K
|
|||
|
||||
|
$20MM
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$46K
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$741K
|
$5.3MM
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AUD 1MM
|
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|
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$30K
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$13K
|
|||
Sample People (2000)
Re-recording Mixer (as Peter D. Smith), Sound Designer (as Peter Smith), Sound Editor (as Peter D. Smith), Sound Effects Editor (as Peter Smith), Sound Mixer (as Peter Smith), Supervising Sound Editor (as Peter D. Smith) |
AUD 2MM
|
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|
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|
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$90MM
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$6.2MM
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$18MM
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$69MM
|
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AUD 5MM
|
|||
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AUD 2.6MM
|
|||
|
||||
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||||
|
||||
|
||||
|
||||
|
AUD 3.8MM
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$605K
|
$605K
|
|
|
||||
|
||||
|
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|
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AUD 2.6MM
|
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AUD 4MM
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||||
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AUD 850K
|
|||
|
AUD 2.2MM
|
|||
|
||||
|
AUD 3MM
|
|||
|
||||
|
AUD 10MM
|
$24K
|
$34K
|
$35K
|
|
AUD 4.4MM
|
|||
|
AUD 1.3MM
|
|||
|
AUD 1.6MM
|
|||
|
NZD 5MM
|
|||
|
|
| Past Television (32 titles) | Episodes |
|---|---|
|
1
|
Aftertaste (2021–2022)
(TV Series) - Dialogue Editor (6 episodes, 2021), Dialogue Editor/re-recording Mixer (6 episodes, 2022), Sound Mixer (6 episodes, 2021) |
12
|
|
8
|
|
1
|
|
6
|
The Hunting (2019)
(TV Mini-series) - Dialogue Editor (4 episodes, 2019), Sound Editor (4 episodes, 2019), Re-recording Mixer (4 episodes, 2019) |
4
|
|
9
|
|
6
|
|
7
|
|
3
|
|
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Lockie Leonard (2007)
(TV Series) - Sound Mixer (12 episodes, 2007), Foley Recordist (9 episodes, 2007) |
12
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8
|
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1
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1
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1
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21
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2
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2
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2
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1
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2
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Philip Marlowe, Private Eye (1986)
(TV Series) - Assistant Editor (1 episode, 1986), Assistant Sound Editor (1 episode, 1986) |
2
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| Self (2 titles) |
|---|
|
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