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Steven J. Scott
Visual Effects, Editorial Department, Additional Crew
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Credits | |
| 161 titles |
| Past Film & Video (137 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
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$200MM
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$454K
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$40MM
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$95K
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$213K
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$1.5MM
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$187K
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|||
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$260MM
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$192MM
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$544MM
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$1.66B
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$356MM
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$357MM
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$858MM
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$2.8B
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$32MM
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$7.1MM
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$18MM
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$32MM
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$1.1MM
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$162MM
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$76MM
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$217MM
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$623MM
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$321MM
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$258MM
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$679MM
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$2.05B
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||||
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$180MM
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$123MM
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$315MM
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$855MM
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||||
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$200MM
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$147MM
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$390MM
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$864MM
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$58MM
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$13MM
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$30MM
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$101MM
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$165MM
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$85MM
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$233MM
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$678MM
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$44MM
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$25MM
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$86MM
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$156MM
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$250MM
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$179MM
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$408MM
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$1.16B
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$175MM
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$103MM
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$364MM
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$968MM
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$8.5MM
|
$7MM
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$16MM
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$17MM
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$135MM
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$475K
|
$184MM
|
$533MM
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$130MM
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$57MM
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$180MM
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$519MM
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$250MM
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$191MM
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$459MM
|
$1.41B
|
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$110MM
|
$52MM
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$130MM
|
$297MM
|
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$40MM
|
$85MM
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$166MM
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$570MM
|
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$18MM
|
$424K
|
$42MM
|
$103MM
|
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$30MM
|
$14MM
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$31MM
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$33MM
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$170MM
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$94MM
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$334MM
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$773MM
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$160MM
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$93MM
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$201MM
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$525MM
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$170MM
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$95MM
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$260MM
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$714MM
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$11MM
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$205K
|
$31MM
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$50MM
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$170MM
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$86MM
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$206MM
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$645MM
|
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$181K
|
|||
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$100MM
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$56MM
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$274MM
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$773MM
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$200MM
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$174MM
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$409MM
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$1.22B
|
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$68MM
|
$13MM
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$35MM
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$68MM
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$225MM
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$55MM
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$179MM
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$654MM
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$220MM
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$207MM
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$623MM
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$1.52B
|
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$58MM
|
$19MM
|
$50MM
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$50MM
|
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||||
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$30MM
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$15MM
|
$42MM
|
$70MM
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$60K
|
|||
|
$25MM
|
$26MM
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$170MM
|
$217MM
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$163MM
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$36MM
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$100MM
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$175MM
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$140MM
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$65MM
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$177MM
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$371MM
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$32MM
|
$373K
|
$13MM
|
$58MM
|
|
$150MM
|
$66MM
|
$181MM
|
$449MM
|
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$37MM
|
$15MM
|
$33MM
|
$97MM
|
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$184K
|
$790K
|
$790K
|
|
|
$112MM
|
$6.3MM
|
$43MM
|
$237MM
|
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$35MM
|
$13MM
|
$60MM
|
$60MM
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$58MM
|
$22MM
|
$90MM
|
$199MM
|
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$7K
|
$13K
|
$13K
|
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$100MM
|
$31MM
|
$95MM
|
$291MM
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$200MM
|
$128MM
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$312MM
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$624MM
|
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$14MM
|
$7.6MM
|
$20MM
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$21MM
|
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$95MM
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$31MM
|
$89MM
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$226MM
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$70MM
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$34MM
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$109MM
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$172MM
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$25MM
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$13MM
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$32MM
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$69MM
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$39MM
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$19MM
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$63MM
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$101MM
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$40MM
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$20MM
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$94MM
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$130MM
|
|
$100MM
|
$19MM
|
$49MM
|
$69MM
|
Night at the Museum: Battle of the Smithsonian (2009)
Supervising Digital Colorist, Supervising Digital Colorist |
$150MM
|
$54MM
|
$177MM
|
$413MM
|
|
$150MM
|
$85MM
|
$180MM
|
$373MM
|
|
$60MM
|
$14MM
|
$41MM
|
$78MM
|
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$80MM
|
$30MM
|
$79MM
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$233MM
|
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$70MM
|
$18MM
|
$98MM
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$223MM
|
|
$37MM
|
$19MM
|
$60MM
|
$164MM
|
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$8.5MM
|
$15MM
|
$35MM
|
$68MM
|
|
$75MM
|
$51MM
|
$135MM
|
$342MM
|
|
$65MM
|
$57MM
|
$153MM
|
$419MM
|
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$140MM
|
$99MM
|
$319MM
|
$586MM
|
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$85MM
|
$27MM
|
$80MM
|
$225MM
|
|
||||
|
$75MM
|
$9.7MM
|
$67MM
|
$119MM
|
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$65MM
|
$9.6MM
|
$32MM
|
$69MM
|
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$28MM
|
$1.7MM
|
$9.7MM
|
$27MM
|
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$75MM
|
$28MM
|
$119MM
|
$204MM
|
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$55MM
|
$2.7MM
|
$5.8MM
|
$8.5MM
|
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$40MM
|
$10MM
|
$25MM
|
$63MM
|
|
$20MM
|
$7.5MM
|
$20MM
|
$22MM
|
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$110MM
|
$45MM
|
$116MM
|
$229MM
|
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$100MM
|
$23MM
|
$75MM
|
$250MM
|
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$85MM
|
$11MM
|
$83MM
|
$149MM
|
|
$12MM
|
$226K
|
$7MM
|
$7.5MM
|
|
$35MM
|
$3.8MM
|
$10MM
|
$16MM
|
|
$76MM
|
$501K
|
$36MM
|
$71MM
|
Little Children (2006)
Digital Intermediate Colorist, Supervising Digital Colorist (EFilm) (uncredited) |
$26MM
|
$98K
|
$5.5MM
|
$15MM
|
|
$52MM
|
$39MM
|
$119MM
|
$206MM
|
|
$7MM
|
$11MM
|
$23MM
|
$27MM
|
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$45MM
|
$29MM
|
$89MM
|
$186MM
|
The Illusionist (2006)
Supervising Digital Film Colorist (as Steve Scott), Supervising Digital Colorist (EFilm) |
$16MM
|
$928K
|
$40MM
|
$88MM
|
|
$30MM
|
$31K
|
$13MM
|
$49MM
|
|
$62MM
|
$13MM
|
$26MM
|
$53MM
|
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$40MM
|
$10MM
|
$29MM
|
$32MM
|
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$72MM
|
$28MM
|
$63MM
|
$97MM
|
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$119K
|
$11MM
|
$38MM
|
|
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$40MM
|
$32MM
|
$209MM
|
$288MM
|
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$43MM
|
$24MM
|
$83MM
|
$155MM
|
|
$80MM
|
$23MM
|
$73MM
|
$163MM
|
|
$1.6MM
|
$3.3MM
|
$4.6MM
|
|
|
$30MM
|
$7MM
|
$20MM
|
$35MM
|
|
$140MM
|
$30MM
|
$119MM
|
$211MM
|
|
$60MM
|
$22MM
|
$74MM
|
$97MM
|
|
$25MM
|
$221K
|
$52MM
|
$117MM
|
The Village (2004)
Digital Color Timer (as Steve Scott), Digital Color Timer (EFilm) (as Steve Scott), Supervising Digital Colorist (EFilm) (uncredited) |
$60MM
|
$51MM
|
$114MM
|
$257MM
|
|
$1.8MM
|
|||
|
$160MM
|
$52MM
|
$120MM
|
$300MM
|
|
$70MM
|
$16MM
|
$38MM
|
$58MM
|
The Ladykillers (2004)
Color Timer (as Steve Scott), Digital Intermediate Colorist (EFilm) (uncredited) |
$35MM
|
$13MM
|
$40MM
|
$77MM
|
|
$13MM
|
$17MM
|
$58MM
|
$97MM
|
|
$100MM
|
$11MM
|
$48MM
|
$122MM
|
Master and Commander: The Far Side of the World (2003)
Digital Intermediate Colorist (title sequence, EFilm) |
$150MM
|
$25MM
|
$94MM
|
$212MM
|
|
$109MM
|
$38MM
|
$101MM
|
$134MM
|
|
$85MM
|
$19MM
|
$48MM
|
$81MM
|
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$60MM
|
$13MM
|
$35MM
|
$121MM
|
|
$35MM
|
$45K
|
$20MM
|
$39MM
|
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$60MM
|
$12MM
|
$31MM
|
$73MM
|
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$160K
|
$6MM
|
$8MM
|
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$60MM
|
$19MM
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$43MM
|
$67MM
|
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$25MM
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$14MM
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$40MM
|
$52MM
|
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$38MM
|
$17MM
|
$86MM
|
$120MM
|
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$63MM
|
$73MM
|
$213MM
|
$297MM
|
|
$12MM
|
$9.5MM
|
$28MM
|
$33MM
|
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$35MM
|
$17MM
|
$57MM
|
$183MM
|
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$200MM
|
$29MM
|
$674MM
|
$2.26B
|
|
$75MM
|
$50MM
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$306MM
|
$817MM
|
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$50MM
|
$16MM
|
$71MM
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$150MM
|
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$19MM
|
$10MM
|
$26MM
|
$26MM
|
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$52MM
|
$25MM
|
$174MM
|
$355MM
|
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$100MM
|
$53MM
|
$184MM
|
$337MM
|
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$60MM
|
$36MM
|
$105MM
|
$224MM
|
|
$115MM
|
$26MM
|
$146MM
|
$379MM
|
|
||||
|
$30MM
|
$7.1MM
|
$21MM
|
$21MM
|
|
| Past Television (18 titles) | Episodes |
|---|---|
The Book of Boba Fett (2021–2022)
(TV Mini-series) - Senior Supervising Finishing Artist (Company 3) (7 episodes, 2021)
Chapter 7: In the Name of Honor (Feb
9,
2022)
Season 1,
Episode 7
-
Senior Supervising Finishing Artist (Company 3)
|
7
|
The Mandalorian (2019–2020)
(TV Series) - Visual Effects Supervising Finishing Artist (7 episodes, 2019), Supervising Finishing Artist (1 episode, 2020), Visual Effects Finishing Supervisor (1 episode, 2019) |
9
|
|
2
|
Angels in America (2003)
(TV Mini-series) - Digital Intermediate Colorist (EFilm) (4 episodes, 2003)
Perestroika: Heaven, I'm in Heaven (Dec
14,
2003)
Season 1,
Episode 6
-
Digital Intermediate Colorist (EFilm)
|
4
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1
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25
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1
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2
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| Self (6 titles) |
|---|
|
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Bing Crosby and Fred Astaire: A Couple of Song and Dance Men (1975)
(TV Special) - 'Young American' singer / dancer |
Additional Credits
*
self-verified
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