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James Nelson (I) (1932–2014)
Sound Department, Visual Effects, Producer
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Credits | |
| 204 titles |
| Past Film & Video (155 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
$900K
|
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$8K
|
$2.9MM
|
$2.9MM
|
|
|
$55MM
|
|||
|
$12MM
|
$1.9MM
|
$3.8MM
|
$3.8MM
|
|
$22MM
|
$4.9MM
|
$17MM
|
$17MM
|
|
$25MM
|
$705K
|
$1.6MM
|
$1.6MM
|
|
$204K
|
$7.2MM
|
$7.2MM
|
|
|
$25MM
|
$2.7MM
|
$11MM
|
$11MM
|
|
$19MM
|
$12MM
|
$41MM
|
$41MM
|
|
$9MM
|
$6.1MM
|
$25MM
|
$25MM
|
2010: The Year We Make Contact (1984)
Production Advisor (Entertainment Effects Group) (as Jim Nelson) |
$28MM
|
$7.4MM
|
$40MM
|
$40MM
|
|
$30MM
|
$14MM
|
$244MM
|
$297MM
|
|
||||
|
||||
|
$8.5MM
|
|||
|
$6MM
|
$52MM
|
$52MM
|
|
|
$11MM
|
$1.6MM
|
$461MM
|
$775MM
|
|
||||
|
||||
|
||||
|
$3MM
|
|||
|
||||
|
||||
|
$9K
|
$29K
|
$29K
|
|
|
$11MM
|
$8.2MM
|
$233MM
|
$441MM
|
|
||||
Badlands (1973)
Supervising Sound Editor (uncredited), The Producer Wishes To Thank (for their help and cooperation) |
$450K
|
$54K
|
||
|
||||
|
$750K
|
$115MM
|
$115MM
|
|
|
$1.5MM
|
|||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$1.5MM
|
|||
|
||||
|
||||
|
$110K
|
|||
|
$4.6MM
|
$71K
|
||
|
||||
|
||||
|
||||
|
||||
|
$1.3MM
|
$29MM
|
$29MM
|
|
|
$1MM
|
|||
|
$265K
|
|||
|
||||
|
$820K
|
|||
|
$850K
|
|||
|
$800K
|
|||
|
||||
|
$1MM
|
$3K
|
||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$1.6MM
|
|||
|
||||
|
||||
|
$4.5MM
|
|||
|
||||
|
$1.7MM
|
|||
|
||||
|
$2MM
|
|||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$360K
|
$74K
|
$123K
|
$124K
|
|
$96K
|
|||
|
||||
|
||||
|
||||
|
||||
|
$750K
|
|||
|
$325K
|
|||
|
||||
|
||||
|
||||
|
$200K
|
|||
|
||||
|
$1MM
|
|||
|
$450K
|
|||
|
$360K
|
|||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$75K
|
|||
|
||||
|
||||
|
$360K
|
|||
|
||||
|
$75K
|
|||
|
||||
|
$65K
|
|||
|
||||
|
||||
|
$300K
|
|||
|
$200K
|
|||
|
||||
|
$38K
|
|||
|
||||
|
$194K
|
|||
|
||||
|
||||
|
||||
|
||||
|
$200K
|
|||
|
$60K
|
|||
|
||||
|
||||
|
$600K
|
|||
|
||||
|
||||
|
||||
|
||||
|
||||
|
$350K
|
|||
|
||||
|
||||
|
||||
|
$3MM
|
|||
|
||||
|
$450K
|
|||
|
$2.6MM
|
|||
|
||||
|
||||
|
||||
|
$11K
|
|||
|
||||
|
||||
|
||||
|
$450K
|
|||
|
||||
|
$250K
|
|||
|
||||
|
||||
|
$1.6MM
|
|||
|
||||
|
||||
|
||||
|
$35K
|
|||
|
||||
|
$300K
|
| Past Television (48 titles) | Episodes |
|---|---|
|
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|
49
|
Love, American Style (1969–1971)
(TV Series) - Supervising Sound Editor (48 episodes, 1969)
Love and the Fuzz/Love and the Groupie/Love and the Housekeeper/Love and Women's Lib (Mar
12,
1971)
Season 2,
Episode 24
-
Supervising Sound Editor
|
48
|
|
38
|
|
|
|
16
|
|
|
|
56
|
|
|
|
|
59
|
|
58
|
|
13
|
|
15
|
|
31
|
Get Smart (1966–1967)
(TV Series) - Supervising Sound Editor (30 episodes, 1966)
A Man Called Smart: Part 3 (Apr
22,
1967)
Season 2,
Episode 30
-
Supervising Sound Editor (uncredited)
|
30
|
|
30
|
The Hero (1966–1967)
(TV Series) - Supervising Sound Editor (16 episodes, 1966)
The Terribly Talented Trayton Tyler Taylor (Jan
5,
1967)
Season 1,
Episode 16
-
Supervising Sound Editor
|
16
|
|
16
|
|
33
|
|
30
|
|
|
|
|
114
|
|
|
|
218
|
|
|
|
|
|
34
|
Empire (1962–1963)
(TV Series) - Supervising Sound Editor (31 episodes, 1962), Sound Effects Editor (1 episode, 1962) |
31
|
|
76
|
|
25
|
|
|
|
|
|
|
Naked City (1958–1962)
(TV Series) - Supervising Sound Editor (104 episodes, 1958)
Goodbye Mama, Hello Auntie Maud (Jun
20,
1962)
Season 3,
Episode 33
-
Supervising Sound Editor (uncredited)
|
104
|
|
26
|
|
18
|
|
|
2
|
|
14
|
|
55
|
|
39
|
|
2
|
|
4
|
The Adventures of Rin Tin Tin (1958–1959)
(TV Series) - Supervising Sound Editor (25 episodes, 1958) |
25
|
|
16
|
|
1
|
|
4
|
Circus Boy (1957)
(TV Series) - Supervising Sound Editor (13 episodes, 1957)
The Return of Buffalo Bill (Dec
12,
1957)
Season 2,
Episode 13
-
Supervising Sound Editor (uncredited)
|
13
|
|
31
|
| Archive Footage (1 title) |
|---|
Light & Magic (2022)
(TV Mini-series) - Self - Associate Producer (1 episode, 2022)
Gang of Outsiders (Jul
27,
2022)
Season 1,
Episode 1
-
Self - Associate Producer (archive footage) (as Jim Nelson)
|
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