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Credits | |
45 titles |
Past Film & Video (44 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
---|---|---|---|---|
Star Wars: Episode VII - The Force Awakens (2015)
Senior Compositor (Bad Robot/Kelvin Optical) Senior Compositor (Bad Robot/Kelvin Optical) See fewer |
$245MM
|
$248MM
|
$937MM
|
$2.07B
|
Star Trek Into Darkness (2013)
Senior Compositor (Kelvin Optical) (as Ken Littleton) Senior Compositor (Kelvin Optical) (as Ken Littleton) See fewer |
$190MM
|
$70MM
|
$229MM
|
$467MM
|
$75MM
|
$32MM
|
$84MM
|
$227MM
|
|
$50MM
|
$35MM
|
$127MM
|
$260MM
|
|
$150MM
|
$27MM
|
$128MM
|
$336MM
|
|
$120MM
|
$19MM
|
$44MM
|
$94MM
|
|
The Golden Compass (2007)
Digital Compositor (Digital Domain) (as Ken Littleton) Digital Compositor (Digital Domain) (as Ken Littleton) See fewer |
$180MM
|
$26MM
|
$70MM
|
$372MM
|
$300MM
|
$115MM
|
$309MM
|
$962MM
|
|
Apocalypto (2006)
Compositor (Svengali Visual Effects) Compositor (Svengali Visual Effects) See fewer |
$40MM
|
$15MM
|
$51MM
|
$121MM
|
$90MM
|
$10MM
|
$34MM
|
$66MM
|
|
$55MM
|
$3.7MM
|
$7.2MM
|
$9.5MM
|
|
$12MM
|
||||
$100MM
|
$14MM
|
$110MM
|
$205MM
|
|
$135MM
|
$13MM
|
$32MM
|
$79MM
|
|
$12MM
|
$870K
|
$995K
|
||
The Matador (2005)
Digital Intermediate Compositor (Laser Pacific Media) (as Ken Littleton) Digital Intermediate Compositor (Laser Pacific Media) (as Ken Littleton) See fewer |
$12MM
|
$69K
|
$13MM
|
$17MM
|
Exorcist: The Beginning (2004)
Digital Effects Supervisor (Radish) Digital Effects Supervisor (Radish) See fewer |
$80MM
|
$18MM
|
$42MM
|
$78MM
|
The Big Bounce (2004)
Digital Compositor (Cinesite) (as Ken Littleton) Digital Compositor (Cinesite) (as Ken Littleton) See fewer |
$50MM
|
$3.3MM
|
$6.5MM
|
$6.8MM
|
$110MM
|
$86MM
|
$215MM
|
$408MM
|
|
$60MM
|
$17MM
|
$67MM
|
$89MM
|
|
$47MM
|
$6.8MM
|
$15MM
|
$30MM
|
|
Moonlight Mile (2002)
Digital Compositing Supervisor (Cinesite) Digital Compositing Supervisor (Cinesite) See fewer |
$21MM
|
$330K
|
$6.8MM
|
$10MM
|
$26MM
|
$10MM
|
$37MM
|
$39MM
|
|
$62MM
|
$20MM
|
$77MM
|
$128MM
|
|
$28MM
|
$1.9MM
|
$4.6MM
|
$4.6MM
|
|
Mystery Men (1999)
Senior Cineon Compositor (POP Film & Animation) (as Ken Littleton) Senior Cineon Compositor (POP Film & Animation) (as Ken Littleton) See fewer |
$68MM
|
$10MM
|
$30MM
|
$33MM
|
$58MM
|
$22MM
|
$70MM
|
$113MM
|
|
What Dreams May Come (1998)
Digital Effects Supervisor (POP Film) (as Ken Littleton) Digital Effects Supervisor (POP Film) (as Ken Littleton) See fewer |
$85MM
|
$16MM
|
$55MM
|
$55MM
|
$80MM
|
$27MM
|
$93MM
|
$178MM
|
|
Starship Troopers (1997)
Digital Effects Supervisor (uncredited) Digital Effects Supervisor (uncredited) See fewer |
$105MM
|
$22MM
|
$55MM
|
$121MM
|
$200MM
|
$29MM
|
$674MM
|
$2.26B
|
|
An American Werewolf in Paris (1997)
Digital Effects Supervisor (POP Film) Digital Effects Supervisor (POP Film) See fewer |
$25MM
|
$7.6MM
|
$27MM
|
$27MM
|
$90MM
|
$15MM
|
$49MM
|
$123MM
|
|
Star Trek: First Contact (1996)
Digital Compositor (Pacific Ocean Post) Digital Compositor (Pacific Ocean Post) See fewer |
$45MM
|
$31MM
|
$92MM
|
$146MM
|
Jingle All the Way (1996)
Lead Digital Compositor (pP.O.P. Digital Film Group) Lead Digital Compositor (pP.O.P. Digital Film Group) See fewer |
$60MM
|
$12MM
|
$61MM
|
$130MM
|
$75MM
|
$50MM
|
$306MM
|
$817MM
|
|
Broken Arrow (1996)
Digital Compositor (Pacific Ocean Post) Digital Compositor (Pacific Ocean Post) See fewer |
$50MM
|
$16MM
|
$71MM
|
$150MM
|
$175MM
|
$21MM
|
$88MM
|
$264MM
|
|
$7MM
|
$30MM
|
$30MM
|
||
Sleepless in Seattle (1993)
Animation Director (uncredited) Animation Director (uncredited) See fewer |
$21MM
|
$17MM
|
$127MM
|
$228MM
|
$70MM
|
$16MM
|
$84MM
|
$255MM
|
|
$22MM
|
$4.3MM
|
$11MM
|
$11MM
|
|
$43MM
|
$4.8MM
|
$23MM
|
$23MM
|
|
$6.8MM
|
$3.6MM
|
$14MM
|
$14MM
|
Past Television (1 title) | Episodes |
---|---|
Hercules and the Amazon Women (1994)
(TV Movie) - Digital Artist (VCE) Digital Artist (VCE) See fewer |